MASTER
OF
Mayela Cardenas - Visual Design- Mav 3-7
Josephine Gibbs - Art- Mav 3-7 *
ttSS* H°9®* " Vi#uai Design- May 10-14
Renae KowiU - Ceramics- Mav 1Q-U V 14
SuSTk? R°br ~ ScutP‘«^ May 17-21
Wf I maiming- May 17-21
FINE ARTS
_- Mneusir. RECEPTIONS n«ire ntrion Rausselnt - Fibers-Mav 24-28
—, May 24-28
Claire Dir ion Rousselot - Fibers- May 24-28
Jennifer Zimmerman - Art- May 24-28
Kate Barker - Photography- June 1-4 (Opening Tuesday. June 1)
Michael Sherwin - Photography- June 1-4 (Opening Tuesday. June 1)
Jonathan Smith - Photography- June 1-4 (Opening Tuesday. June 1)
Robert G. Rolfe-Redding - Visual Design- June 21-25
Beth Wilson - Art- Offsite
UNIVERSITY OF OREMN
EUGENE OPENING RECEPTIONS
MONOW'EVENWGS AT
cpu
SHOWS CHANGE
WEEKLY
101 LAWRENCE HALL
o
UNIVERSITY OF OREGON
2llfllf0istfr-(5aari
Art History Summer Session 2004
Hands-on Courses in Art History
ZEROFOUR
GRADUATE EXHIBITION
.’.V'
Image: Adjourated figures atop a shield,
Asmat people. New Guinea.
UO Museum of Natural History Collection
In addition to image-illustrated lectures, we are also offering
three “hands-on” courses designed to provide you
with an opportunity of engaging study of original works of art.
ArH 208 History of Chinese Art (4)
July 19-August 13. Historical survey of the visual arts of China, including painting, sculpture and
architecture. Arts are studied in relation to the culture that produced them. Kevin Greenwood
ArH 349 History of Prints (4)
June 21-July 16. Examines prints and printmaking in the Western world from the 15th century to the present.
Students will have an opportunity to study and examine original works of art. Joby Patterson
ArH 391 Art of the Pacific Islands (4)
June 21-July 16. This course will focus on the sacred and secular arts of Papua New Guinea and the
surrounding Melanesian islands. Private and university collections of Pacific art will be placed into the rich
context of the cultural world view. David Eisler
ArH 410/510 Art and Conservation I (4)
June 21-July 16. This course explores the history, theoretical issues, and recent controversies of art
conservation with examples taken from the early Renaissance to the nineteenth century. Jan Cavanaugh
ArH 410/510 Purchasing Power: Art Patronage in the Middle Ages (4)
June 21-July 16. This course examines Medieval patronage practices, including definitions of patronage, who
acted as patrons, what types of art patrons sponsored, and the objectives of patronage. Elizabeth Hudson
ArH 410/510 Art of the Aztecs (4)
July 19-August 43. This course will discuss the history of Aztec visual culture from the earliest
developments of the Empire to the time of European conquest. John Machado
ArH 410/510 Art, Politics & Religion in China (4)
July 19-August 13. This course will focus on religious art and architecture sponsored by imperial courts in
China from the Song through the mid-Qing dynasties (10th-19th C). Selected works that represent the
complex interplay of politics and religion will be examined in depth from varying formal, iconographical and
contextual perspectives. Kevin Greenwood
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BOARD
continued from page 1
Goldschmidt's resignation was one
unexpected topic added to the agen
da. According to an OUS press release,
Board Vice President Geri Richmond
expressed sadness over the resigna
tion, but added that she is thankful
the other board members share the
Governor's commitment to overhaul
postsecondary education in the state.
"This board has incredible momen
tum and energy, and a change in lead
ership will not slow this group
down," she said in the release.
University of Oregon administra
tors attending the board meeting
briefly discussed plans to take a hit of
approximately $1.5 million as a result
of Measure 30's failure.
The University is proposing
$800,000 in cuts to administrative ar
eas and $900,000 in cuts to instruc
tional support over the biennium, ac
cording to the board's meeting docket.
The instructional reductions will re
sult in the loss of about 16 instruc
tional positions that each teach seven
to nine course sections, according to
the board's meeting docket.
Associate Vice President for Bud
get and Finance Frances Dyke said it
is too early to say which positions
will be eliminated, and that the dis
cussion is ongoing among deans and
department heads who will make
the final decisions.
"Unfortunately, with the current fi
nancial circumstances it is not possi
ble to absorb all the necessary reduc
tions without some impact on the
instructional program," she said.
She said, as it is, some departments
lack the funds to hire outside faculty
to cover classes normally taught by
faculty on sabbatical. She added that
students have been doubled up in
some class sections, and some search
es for new faculty have already been
put on hold.
Vice President for Student Affairs
Anne Leavitt said the $800,000 in cuts
to administrative areas is "the best fig
ure we have now." She said the cuts
will not be distributed until the begin
ning of fall term, when each area's
needs can be better evaluated.
"I've asked all my units to try and
save money," she said.
Leavitt said she oversees eight units
that receive funds from the Universi
ty's general fund, including the Office
of Student Life, the Office of Student
Financial Aid and the Office of Ad
missions.
She said last year when the Univer
sity faced state budget cuts, each unit
took a 3 percent cut, which Leavitt
said seemed to be the fairest method.
"What student service do you want
to abandon?" she said. "Not any of
them."
Contact the higher education/student
life/student affairs reporter
atchelseaduncan@dailyemerald.com.
MUSEUM
continued from page 1
them many dues to past cultures, but
rather to the type of creatures wander
ing around in their yards, like a Eugene
resident who brought in a portion of a
bear skull found in the backyard of the
resident's house Possibly the most ex
citing find of the day, however, was
what appeared to be the scapula, or
shoulder blade, bone of a mammoth
or mastodon.
Aiken said the event is partially
meant to help out the community,
and partially meant to bring exposure
to the museum.
"It's to bring people in," he said.
"We introduce them to the idea that
objects have a history."
Contact the people/culture/fa rth reporter
at moriahbalingit@dailyemerald.com.
CAMPUS
ES^ U ZZ
Monday
• Art Exhibit opening reception featuring Master
of Fine Arts visual design work by Raquel Gabuya
and Joseph Stengel-Goetz and MFA ceramics
by Renae Kowitz, LaVerne Krause Gallery,
Lawrence Hall, 6-8 p.m.
• Food for Thought Video Series, EMU Maple
Room, noon-l:30 p.m. Preregistration requested.
• Jeremiah Lecture featuring a talk by Pui Tak Lee
from the Centre of Asian Studies, University of
Hong Kong, entitled "Dancing with My Mistress:
Embezzlement and the Professionalization of
Banking Employees in Republican-era Shanghai,"
Room 159, Prince Lucien Campbell Hall, 4 p.m.
Phil Condon, director of the Environmental Writing
Institute and assistant professor of environmental
studies at the University of Montana, reads from
his first novel, "Clay Center,” Browsing Room,
Knight Library, 7 p.m.
$8
iREGon Ballroom Dance Club Presents
Friday, May 14 • EMU Ballroom
Instructors Luke Adams and
Jennifer Robinson with special
performance by Rumbanana
6:00—7:00 pm: Intermediate Latin Styling
7:30—8:30 pm: Beginning Salsa & Rumba lesson
8:30—11:30 pm: Open dancing
General Admission • $6 Students/Seniors • $4 Members
(Price is all-inclusive)
For additional information, call 346-6025.
Oregon Daily Emerald
PO. Box 3159, Eugene OR 97403
The Oregon Daily Emerald is pub
lished daily Monday through Friday
during the school year by the Oregon
Daily Emerald Publishing Co. Inc., at
the University of Oregon, Eugene,
Oregon.The Emerald operates inde
pendently of the University with of
fices in Suite 300 of the Erb Memorial
Union. The Emerald is private prop
erty. The unlawful removal or use of
papers is prosecutable by law.
NEWSROOM — (541)346-5511
Editor in chief: Brad Schmidt
Managing editor: Jan Tobias Montry
Freelance editor: Jennifer Sudick
News editors: Jennifer Marie Bear, Ayisha Yahya Senior news re
porters: Chelsea Duncan, Jared Paben News reporters: Moriah
Balingit, Lisa Catto, Parker Howell, Steven Neuman
Pulse editor: Aaron Shakra Senior Pulse reporter: Ryan Nyburg
Pulse reporter: Natasha Chilingerian Pulse columnists: Helen
Schumacher, Carl Sundberg
Sports editor: Hank Hager Senior sports reporter: Mindi Rice
Sports reporters: Jon Roetman, Alex Tam
Editorial editor: Travis Willse Columnists: Peter Hockaday, David
Jagernauth, Marissa Jones, Chuck Slothower
Illustrators: Steve Baggs, Eric Layton
Design editor: Tanyia Johnson Senior designer: Sean Hanson
Designers: Killian Mcllroy, Kira Park
Photo editor: Danielle Hickey Senior photographer: Lauren Wi
mer Photographer: Tim Bobosky Part-time photographers: Adam
Amato, Erik R. Bishoff
Copy chiefs: Kim Chapman, Rebekah Hearn Copy editors: Tarah
Campi, Stefanie Contreras, Jeannie Evers, Alicia Gesner, Paul J.
Thompson Online editor: Erik R. Bishoff Webmaster: Eric Lay
ton
BUSINESS — 346-5512 General manager: Judy Riedl
Business manager: Kathy Carbone Receptiopift^lje^j
Critchett Distribution: Caron Alarab, Megan Anderson, John Long, Matt
O’Brien, Mike Schapira, Ben Turner
ADVERTISING — DISPLAY 346-3712 CLASSIFIED 346-4343
Director: Melissa Gust Sales manager: Michelle Chan
Sales representatives: Army Feth, Patrick Gilligan, Megan Hamlin,
Kim Humphries, Alex Hurliman, Tyler Mack, Shannon Rogers,
Katherine Vague Assistant: Thomas Redditt
Classified advertising associates: Liz Carson, Liz Conant, Sabrina
Gowette, Keri Spangler
PRODUCTION — 346-4381 Manager: Michele Ross
Production coordinator: Tara Sloan
Designers: Jen Cramlet, Kristen Dicharry, Matt Graff,
MwHJPle.s.