Rocker continued from page 5 Throughout his career, Brown has played a significant amount of benefit concerts, and he has been affiliated with numerous charity causes, including In Har mony, an organization formed in 1993 to “create intergenerational neighborhoods of specially trained parents.” Brown said intentional commu nities such as these are a brave idea because they can promote the idea that everyone in the world belongs to one community and one family. He said exercising compassion in action is important, and this is one of the few hopeful things in this world. “(Compassion) can only be pro moted by exhibiting it. It’s what works; it’s what makes our lives feel more precious and valuable,” he said. “The leadership has a vested interest in keeping us afraid and fearful of other people. People see compassion in action, and that’s how it grows. Nothing is more threatening to the violent leaders of the world — that’s the end of their game.” Brown said he is working on a new album, and that he enjoys the WOW Hall because it has a “good music vibe.” San Francisco based Box Set will open for Brown, and the Sunday shows start at 6 p.m. and 9 p.m.. Tickets are #18.50 in advance and #21 at the door. Contact the Pulse reporter at aaronshakra@dailyemerald.com. 1 0164221 HonxJsy Hsy 5th Ctoco d KWWl Donations Accepted at fee door 21+ db r,/ 4/ ^U SJS0?> * ^$8a9* Dorn^n °«e *Jt> t>' °Pe(v , ^£/} 4D<^W it0* c*pteci stsr JOop t©c? REQUEST LINE 346-0645 http://gladstone.uoregon.edu/~kwva Friday, May 9th Toad in the Hole Hello Lobster Mine 31 Bloody Castles Ragtime Band Chevron Rock and Roll Soldiers Some Cheap Christ WOW Hall 8th & Lincoln $5 General Admission, $4 U0 Students with ID/KWVA DJs ALL AGES!! Girls continued from page 5 doubt that this is the kind of love that lasts. But just as it tends to do in the real world, life some how gets in the way. Paul is not your run-of the-mill movie hero. Usually, movies about kids from small towns depict a pro tagonist looking to the horizon for something more out of life. Paul has never even considered the hori zon. It takes Noel, an innocent vir gin returning home from years at a boarding school, to make him question anything. Ironically, the only way she can do this is to inad vertently screw with his notion of ... everything. It’s not Noel’s fault; her inexperience simply leads her to make irrational decisions. Paul is tormented as he struggles to make sense of her actions. But how can he do so when Noel can’t make sense of them herself? Paul lives with his mother, Elvi ra (Patricia Clarkson). Some crit ics have said Green makes Elvira look pathetic because she dresses up like a clown to entertain kids at a local hospital. She’s not pa thetic. She’s just had her ass kicked by life and lacks the ener gy to do anything for herself, choosing instead to bring a little happiness to others in dire need of hope. That’s not pathetic. That’s true, and even admirable. “All the Real Girls” is also an exer cise in atmosphere. Cinematographer Tim Orr revels in the vistas of North Carolina, and the music by Michael Linnen and David Wingo seems to drift in from the mountains like fog. Green seems consumed by the notion of presenting sincere hu man interaction on screen. The characters of “Real Girls” don’t talk in witty, carefully written movie-speak.' They talk like us. They stammer. They struggle to put their thoughts into words — which often can’t do justice to the feelings that tear through them. Green isn’t interested in easily identified themes or cliche plot points. He chucks the guise of script construction with the under standing that life experiences don’t unwind in easy three-act struc tures. And when a movie is imbued with as much humanity as “All the Real Girls,” an audience doesn’t need it to play out this way either. Green has an emotion in mind for each scene and simply sets his ac tors loose to realize it. The two leads, especially Deschanel, don’t act. They simply exist. Eugene Weekly film critic Lois Wadsworth has criticized some of the characters of “Real Girls,” questioning why Noel’s brother Kip would feel the need to protect his sister’s virginity. But Kip’s anger is not about brotherly duty. It’s about his wariness of facing his own per ceptions of women. He’s not un comfortable with Paul and Noel’s relationship. He’s uncomfortable with himself. Deschanel stole the show in movies like “Almost Famous” and “The Good Girl” in minor roles, but this is her first starring role. She has the charisma of a young Debra Winger, with perhaps a tad more sensitivity. If other directors can tune in to her talents as well as Green does, she has a great future ahead of her. “All the Real Girls” is a revelation in itself. But it also officially marks the arrival of Green as one of die more in triguing young voices in movies. After his award-winning debut film “George Washington,” the 27-year old filmmaker from North Carolina seems well on his way to something special. “All the Real Girls” is now playing at Bijou Art Cinemas. Contact the seniorPulse reporter - atryanbornheimer@dailyemerald.com. 1166 South A » Springfield » 726-6969 • Open 24-7 (Almost) ENDGAME A play by Samuel Beckett Directed by Johnny Ormsbee STARRING David Stuart Bull Dan Pegoda Kim Donahey Mike Hawkins