Oregon daily emerald. (Eugene, Or.) 1920-2012, November 21, 2002, Page 7, Image 7

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    Bjork involves fans
in making new CD
CD review
Jacquelyn Lewis
Pulse Editor
It’s no revelation that Bjork has
a penchant for the bizarre, and her
“Greatest Hits” album screams it
from the rooftops.
But perhaps the sound is not so
much bizarre as it is just plain origi
nal. There is absolutely nothing else
like it out there. Bjork fans know
there’s no other sound that can sat
isfy them when they’re jonesing for
her eclectic Icelandic grooves.
“Greatest Hits” has a patchwork
feel that makes it an ideal introduc
tory album for anyone not familiar
with Bjork’s music, and the collec
tion of old favorites will surely ap
peal to tried-and-true followers.
The album draws listeners in be
cause the fans themselves actually
chose what tracks were included —
save for the one new song, “It’s in
our hands.” Bjork conducted two
fan polls on her Web site,
www.bjork.com, back in May. The
poll included all of her released sin
gles, allowing the listeners (Bjork
called them “experienced experts”)
to choose the album’s content.
The result? A collection of 14 of
the finest tracks from Bjork’s
repertoire, plus one. The song
“Hyperballad” received top hon
ors, and listeners chose wisely.
The fourth single from the.1996 al
bum, “Post,” this selection is a
perfect example of why we all love
the pixie-like performer. Her su
perb vocal talent melds with
clever, symbolic lyrics about rela
tionships — a topic we can all re
late to — and an interesting musi
cal arrangement.
The CD includes other favorites,
such as the sweet-but-sarcastic
“All is full of love” (though not the
original version), as well as “Pagan
poetry,” from her album “Vesper
tine.” “Pagan poetry” is interesting
because Bjork worked with music
boxes to find inspiration, and the
addition of these sounds makes for
a creepy, ethereal sound.
“It’s in our hands” makes its al
bum debut on “Greatest Hits,” but
it has been around for a while —
cleverly alluding to Sept. 11, the
song has been a favorite at Bjork’s
“Vespertine” concerts.
The only big surprise is that
there only sparse liner notes with
this CD, the leaflet a collection of
perplexing drawings — contorted
phallic symbols, it appears — by
Gabriela Fridriksdottir and M/M.
Leave it to Bjork to include an ad
dition such as this; there’s always
a strange quirk to make fans tilt
their heads and squint their eyes.
These odd little “gifts” also grace
the Bjork Web site.
“Greatest Hits” was released on
Nov. 4 alongside another collec
tion, “Family Tree,” which is a six
GD set spanning Bjork’s entire ca
reer, including her pre-solo days. If
you’re in the market for a new CD,
depending on how much you cash
you’re willing to part with, both
are excellent choices.
Contact the Pulse editor
atjacquelynlewis@dailyemerald.com.
Bechard
continued from page 5
guy talk and taking a good look at
his appearance, I find it highly sus
pect that his phallus could intoxi
cate any woman.
Examples of culture gone bad
abound on MTV2, and listing all
that’s wrong with it only gives
those stupid ideas another play.
Attempting to censor any offen
sive material is never the right an
swer, but something should be
For tho weok of Friday, November 22nd!
Sign-up for our weekly WebPage Update!*]
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done to stop rewarding ignorance.
In many cultures, music has a
much more religious, communal
significance. Why are we allowing
such important piece of our com
munity to be taken over and
turned into a breeding ground for
negative emotions and social ills?
Music is a powerful, important
piece of a society, and it’s time
that someone reached beyond and
made something bigger with it.
Contact the Pulse columnist
atjosephbechard@dailyemerald.com.
IWiWIh/ui
Ian Mandolin Project
Northwest Lyrical Fest IV:
Strange Folks, BaloutheSasquatch,
and many more
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Center lor the
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■ Tonight m
Acoustic Jazz Rock
$13 advance, $15 at door
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■ Friday m
Hip-hop
$10 advance, $12 at door
8:00 pm
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Hand-prepared dinners in the Old World Style of
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Choose from lobster, filet mignon, NY steak, shrimp,
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Early Bird Menu
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ORDERS TO GO
THE UO SCHOOL OF MUSIC PRESENTS I
Future Music Oregon
Jeffrey Stolet, director
A concert of experimental
music, featuring the work of
guest artist James Paul Sain,
professor at the University
of Florida and director of
the internationally
acclaimed Florida Electro
acoustic Music Festival.
PLUS: new works from
composers in the FMO
66
onni
[n
^ YY
ini
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studios: Troy Rogers,
Chris Moore, Mendel Lee,
and Mike Winter.
Saturday, Nov. 23 8:00 p.m.
Room 198, UO School of Music
TICKETS: $5 General Admission, $3 Students & Senior Citizens;
available at the door. Room 198 is wheelchair accessible
FIND THINGS IN ODE CLASSIFIEDS (BICYCLES, PETS, CARS, JOBS,
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