011853
IVMVIhmi
ConvnnMu
Cantartartha
Pertafirthg flits
8th &
Lincoln
■ Friday & Saturday ■
Youn; Womens Theatre
Collective with Guys
m Minor Until..
Theatre
admission on sliding scale,
$S to $15 at door, 7:00 pm
■ Monday ■
Adema,
Paint by Numbers, Compact 56
Rock
$5 advanced, $6 door, 7:00 pm
■ Tuesday ■
An Evening with Mdltilt S6XtOH
Folk
$15 advanced, $17 door, t:oo pm
All Ages Welcome • 687-2746
Shows ntflhtty at 9:45pm- Sun Mat 3:00pm m
EBERT & ROEPER ANO THE MOVIES
film by atejinflro aoruaiw injrrnu
www.amoresperros.com
any
Rant the Bijou_,
morning or a ft* moon
for parties, ate
Receive our wee idyl_.
Movie reviews, scheduling ft contacts.
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6:10 & 9:10pm Nightly - Sun Mat 3:15pm Oja
The Center Of The World
SOON: NICO ft DANl
_The Luzhin Defense
Starring Juliette Binoche from C
“Brilliant! *
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Pinehurst Kids
continued from page 7
from singer and frontman Joe
Davis. “Planet of the Apes” takes
you on an unforgettable adventure
through a land of denial and con
fusion, with lyrics such as “I know
I’m not the only one/...could it be
the last time/ should it be I lost my
mind,” while creating powerful
guitar riffs between verses.
Despite the innovative key
boards in the melodic track “All I
Know,” the overall pace of “Bleed
It Dry” slows down considerably
with this song, as well with “No
Show.”
Perhaps the only other down
fall of the album is the modest
guitar solos and lack of truly in
novative bass lines. However, if
you’re tired of the mundane
sounds of whiny indie rock,
check out Pinehurst Kids for a re
freshing memory of what it’s like
to actually have fun listening to
music again.
.
Pocket
continued from page 7
THING” probably don’t. What
Reese does want people to think
about is two-fold: what they want
to think about and people’s need to
express themselves.
For most of the show Reese as
sumes a childish persona and tells
stories. Audiences may have trou
ble realizing that a new monologue
has started at first, which isn’t
helped by her choppy mood
changes and spastic fits of emotion
al grunting and noise. But part of
the fun in watching this play is
staying on your toes.
What this production boils down
to is openness and communication.
Reese is being open with audiences
in a very true, uninhibited way. She
gives a monologue about how good
it felt to peg a girl in the forehead
with a rock because she wouldn’t
share her bike. In another mono
logue about a youthful visit to a
craft fair she says about the mer
chant’s goods, “Fuck creativity, I
wanted to buy shit!”
But this openness comes at a
price (not the admission though,
which is technically free). Reese
wants and needs the audience to re
spond to her actions. Because this
is a thesis project, audiences
should not come in with normal ex
pectations of a theater production.
Beware: Preconceptions will be
thrown out the window and things
may be thrown. Speaking of which,
don’t wear your best accessory
item; it may be in danger.
The real joy of this show is seeing
Reese go all out in an unrestrained
way for the first time. She has al
ready pushed boundaries this year
as an actress in “Stop Kiss” and as
a director of “Pieces.” But by solely
writing, directing and performing a
show, she has really bloomed.
Reese said that she puts so much
into this show that she works on it
in her dreams. Well, simply put
(with a slight pun), it shows.
As mentioned before, the show is
free, but Reese is accepting dona
tions to help cover production costs
that would have otherwise been
paid by the Pocket Board. She will
perform today, Friday and Saturday
at 5 p.m. in the Pocket Playhouse in
Villard Hall.