Oregon daily emerald. (Eugene, Or.) 1920-2012, February 17, 2000, Page 8B, Image 20

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■ Thursday, Feb. 17
The Davis Quintet (jazz)—Cafe Paradiso, 115
Broadway; 8:30 p.m. Free.
’80s Night (dance)—John Henry’s, 136 E. 11th
Ave.; 9:30 p.m. Women free, guys $2.
Simon Joyner, Wow & Flutter, Thong—Sam
Bond’s Garage, 407 Blair Blvd.; 9 p.m. $3-5.
Jazz Jam Session—Jo Federigo’s, 259 E. Ffith
Ave.; 9:30 p.m. Free.
r
9:30 p.m. $2.
Eclectic Open Mic—The Buzz; 9 p.m. Free.
“Miracle Worker” (play) — Soreng Theater, Hult
Center; 8 p.m. $16.50-25
Ancient Youth, Abaka-Dubi (reggae)—WOW
Hall; 9 p.m. $6-8.
Clumsy Lovers (Celtic rock)—Good Times; 9
p.m. $6.
Curtis Salgado (blues)—Wild Duck; 9 p.m. $10
advance, $12 at the door.
SWraA 1
Ancient Youth
Craig Einhorn (acoustic)—The Buzz, EMU; 9
p.m. Free.
Magical Thursday (dance)—WOW Hail, 291W.
Eighth Ave.; 8 p.m. $6.
Spearhead (music, performance art)—Wild
Duck, 169 W. Sixth Ave.; 9 p.m. $11 advance, $13
at the door.
Beard (funk rock)—Good Times, 375 E. Seventh
Ave.; 9 p.m. $3.
■ Friday, Feb. 18
Soma (jazz)—Cafe Paradiso; 8:30 p.m. $2.
Welsh Rabbit, Gabriel Blue, The Messengers
(rock)—John Henry’s; 10 p.m. $3.
Donny James Rio, Alan Charing, Jackass Wiiiie,
Honda 70 (variety)—Sam Bond’s Garage; 8 p.m.
$3-5.
Nancy Verdouw Quartet (jazz)—Jo Federigo’s;
“The Last Night of Ballyhoo”—Actors Cabaret
of Eugene Annex, 39 W. 10th Ave.; 8 p.m. $14 ad
vance, $17 at the door.
UO Ensemble Concert—Beall Concert Hall; 8
p.m. Free.
Oregon Ballroom (dance)—200 Gerlinger Hall;
7:30 p.m. $4 general, $3 students and faculty.
■Saturday, Feb* 19
Justin King (contemporary acoustic)—Cafe
Paradiso; 8:30 p.m. $3-5.
Eve’s Second Sin, Diegrinder, Gruss (rock)—
John Henry’s; 10 p.m.; $3.
Old Time Jam—Sam Bond s Garage; 5-7 p.m.
Free.
Mare Wakefield & the Leftovers— Sam Bond’s
Garage; 8 p.m. $3-5.
Pavlak and Stotz Quartet—Jo Federigo’s; 9:30
p.m.$2.
Randy Teal (acoustic folk rock)—The Buzz; 9:30
p.m. Free.
Parsons Dance Company— Silva Concert Hall,
Hult Center; 8 p.m. $15-20.
FenixTX, Double-O-Seven, Easy Target (pop
punk)—WOW Hall; 8 p.m. $6 in advance, $7 at
the door.
Big Jack Johnson (blues)—Wild Duck; 9 p.m.
$8 advance, $10 at the door.
The Slip (roots rock)—Good Times; 9 p.m. $5.
“The Last Night of Ballyhoo”—Actors Cabaret
of Eugene Annex; 8 p.m. $14 advance, $17 at the
door.
Dwight Slade, Mark Madison (stand-up come
dy) —Kowloon’s, 2222 Centennial Blvd.; 9 p.m.
$6.
Freedom Funk Ensemble (funk)—Taylor’s Bar
& Grille, 894 E. 13th Ave.; 10 p.m. $3.
This Joint is Jumpin’ (swing dance)—Agate
Hall, 18th and Agate; 8:30 p.m. $5.
■ Sunday, Feb. 20
Poetry Slam—Cafe Paradiso; 7 p.m. sign up;
Free.
Baked Not Fried (psychedelic rock)—John Hen
ry’s; 8p.m. $1.
Irish Jam—Sam Bond’s Garage; 4 p.m. Free.
Laura Kemp, Peter Wilde, Adam and Kris, Chris
Brown and Kate Fenner (acoustic)—Sam
Bond’s Garage; 8 p.m. $3-5.
Mark Alan (acoustic guitar and vocal)—Jo Fed
erigo’s; 9:30 p.m. Free.
D.O.A., Pass Out Kings (punk rock)—WOW
Hall; 8 p.m. $7 advance, $8 at the door.
Open Blues Jam—Taylor’s Bar & Grill; 10 p.m.
$1.
“The Merry Adventures of Robin Hood” (play)
—The Rose Children’s Theatre; 2:30 p.m. $7.
Angela Means, Ralph Porter (The Def Comedy
Jam)—EMU Ballroom; 8 p.m. $11 students, $12
general.
Mixology 101 (techno dance) — John Henry’s;
10 p.m. Women free, guys $2.
Ty Connor’s Com Blowing Machine with Mark
Growden (variety)—Sam Bond’s Garage; 9 p.m.
$2.
Funky Monday (open mic)—Jo Federigo’s; 9
p.m. Free.
Poetry Open Mic—The Buzz; 9 p.m. Free.
■ Monday, Feb. 21
Mixology 101 (techno dance) — John Henry’s;
10 p.m. Women free, guys $2.
Ty Connor’s Corn Blowing Machine with Mark
Growden (variety)—Sam Bond’s Garage; 9 p.m.
$2.
Funky Monday (open mic)—Jo Federigo’s; 9
p.m. Free.
Pass Out Kings
Poetry Open Mic—The Buzz; 9 p.m. Free.
■Tuesday, Feb. 22
Fred Van Vactor (acoustic)—Cafe Paradiso;
8:30 p.m. Free.
That Tuesday Thing (funk, soul)—John Henry’s;
11 p.m. Free.
Bluegrass Jam—Sam Bond’s Garage; 9 p.m.
Tips.
Barbara Dzuro (jazz piano)—Jo Federigo’s; 8:30
p.m. Free.
University Jazz Combo—The Buzz; 8 p.m. Free.
“Fresa y Chocolate” (film series)—122 Pacific
Hall; 7 p.m. Free.
The Oregon Brass Quintet—Beall Concert Hall;
8 p.m. $4 students/senior citizens, $7 general.
■ Wednesday, Feb. 23
John Shipe Band—Cafe Paradiso; 8:30 p.m.
Free.
Justice League of America (dance hall house)—
John Henry’s; 10 p.m. Women free, guys $2.
Bill Bourne (songwriter)—Sam Bond’s Garage;
9 p.m. $5-10.
Paul Paydos Jam Session—Jo Federigo’s; 9:30
p.m. Free.
New Song Contest—The Buzz; 7:30 p.m. Free.
Nuttstalk (various bands)—Wild Duck Hall; 8
p.m. $15 advance, $17 at the door.
McKenzie Project ^groove and funk)—Good
Times; 9 p.m. $3.
“The Brothers Karamazov” (film series)—115
Pacific Hall; 6:30 p.m. Free.
“Arts Organizations, the Web & Ecommerce”
(lecture)—EMU Rogue Room; 12:45 p.m. Free.
“The Floating Skirt and Other Korean Textiles”
(lecture)—UO Museum of Art; 6 p.m. Free.
All photos courtesy of the bands
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Eugene • 686-4270 • www.lightmusic.com Sunday 12-6
Bradley
continued from page 7B
thority figures and providing ref
erence points for worlds beyond
the classroom, if not necessarily
the administration offices.
“I don’t care how many black
secretaries you have; I don’t care
how many black administrators
you have; I don’t care how many
you have in the personnel depart
ment, human resources or all that
other shit,” Bradley says. “The
main interaction at a university is
teacher-to-student, so I don’t care
if the administration is completely
white. If you have enough strange
looking people on your faculty,
then that educational message is
going to get through. ”
Bradley believes that his pres
ence this spring on campus is
valuable — and not just because
he’s one of those “strange-looking
people.” Students, he says, need
to get a break from their regular in
structors and hear a different take
on the same ol’, same ol’.
His most recent visiting jobs
were in 1998 at the City College of
the City University of New York
and in 1997 at the country’s first es
tablished college, Wilham & Mary
in Williamsburg, Va.
“You come into a place like [the
University], you’re not Professor
Anybody, you’re just some asshole
who needed a job,” Bradley says,
with a strong laugh that no doubt
could be heard echoing beyond his
temporary office in Columbia Hall.
“When you come in from the out
side, you can come in and say
‘Well, let’s face it, you didn’t come
here to get a degree, you came here
to learn how to be a writer. ’ ”
Bradley will likely shed light
on how to accomplish that goal
during tonight’s installment of the
Creative Writing Program’s Read
ing Series. Yet, if attendees are
lucky, he’ll also spin a few tales
because Bradley may be an ac
complished writer, but he’s also an
acute observer of today’s society.
“When I lived in Williamsburg,
that was one weird place,” he
says. “I would go to the laundro
mat and there would be people sit
ting around in their colonial garb,
they’re just stopping off on their
way to do their laundry.
“From where I lived, if I walked
out my door and turned left, I went
to the university; if I turned right, I
went to the 18th century. ”
And that’s probably a place that
Bradley never wants to visit.