GF.N ADMISSION Hi Sa $6 • DISCOUNT SHOWS Su-We $4.50 / Madnm $3 • Seniors S3 50 • kids 12 & under $2.50 • BARGAIN PASSES ON SALE NOW • 5 MOVIES FOR $20.00, 10 FOR $35 • GIFT CERTIFICATES AVAUJiBIJi' 6:10 A 8:45 Nightly SUN MAT 9 3:30 From The Director Oj welcome to ths dollhous§ "Subtly savage...Evilly funny!" -Iwt Madin. THC HW TORI IMS HAPPINESS 4 film b| Todd Soiondz (I 492 E. 13th 686 2458 I I 111(jl Illy _Nightly SAT MAT ® 4:00 ^ / SOON MASK Of ZORRO _'^ r TREV PARKER SOUTH PARK'S GENIUS ORGAZMO ^ COMING THERE’S SOMET>XGABOUT MARY 224-TIXX ODE Classifieds. Run your for sale item for five days (items under $1,000)... if you don't sell it, we'll run it 5 more days for free! ‘live Monsters’locked into boredom By Jason George lor the Emerald I was once in a sterile room. No windows, just padding, like being inside a hollow marshmallow. Actually, it was quite peaceful — but that is a different story. 1 recalled such an experience af ter listening to the Big Head Todd and the Monsters’ recent release “Live Monsters.” The first live for ay from this Colorado trio attempts to prove how much soul BHTM has in concert. The verdict: Like their five studio productions, “Live Monsters" is a padded room: safe, but not very interesting. The problem with “Live Mon sters” is that there are no mis takes. It is a wart-free offering of tried and true pop-rock. Todd Mohr’s guitar work is predictable and overly pristine. Brian Nevin plays the drums like a studio mu sician robot, and Rob Squires’ bass playing is akin to any high school dreamer with an amp. For example, Squires' bass solo in “The Leaving Song” is boring to the point that it is humorous and somewhat reminiscent of The Cranberries’ “Zombie” in melody and lack of originality. The back ing vocals come from your typical ‘Live Monsters’ Big Head Todd and the Monsters TYPE: pop-rock RATING: overripe soul singer, Hazel Miller. The one song on “Live Mon sters” that comes off well is “Tan gerine,” the classic gem from Led Zeppelin. With the help of steel guitarist John Macy, BHTM spins it with a country twang and makes it sound remarkably fresh. Ironically, this cover song is the only glimmer of originality on “Live Monsters.” But pop ballads such as “Bitter sweet” and "Broken Hearted Sav ior” are disappointing: songs that could have been great. Mohr’s lyrics and chord changes on “Bit tersweet” demonstrate his writing talent, but his inability to pull it off in a performance is frustrating. The band’s record company, Giant, calls “Sister Sweetly” “straight up R&B,” but I would liken this track more to aggressive Muzak. It reminds me of the fight song played by my junior high pep band, except the pep band was a bunch of 14-year-old guys who had picked up their instru ments the summer before. On the same note, a brazen cov er of John Lee Hooker’s “Boom Boom" is starched and pressed white-boy blues. In fact, I believe I heard the exact same version by a casino bar band in Tunica, Miss. These guys would make a great frat party band. But I guess after selling two million albums, they might view it as a regressive ca reer move. Seriously, most of the songs were recorded at the leg endary Austin Music Hall in Austin, Texas, but the songs on “Live Monsters” are more suited for greek socials or bar openings. BHTM is just an average band and “Live Monsters” is another mediocre album. I would only recommend this CD to two groups of people: 1) someone into bands such as the Gin Blossoms, Toad the Wet Sprocket, et al; 2) a finan cially strapped fraternity that wants live entertainment but lacks the appropriate funds. The padded walls confine BHTM to the room of banal rock. Perhaps, someday, they can find the key, but “Live Monsters” is no such freedom ticket. Paperboys Continued from Page 5A per year.” But the Paperboys still make every performance count. “They’re really hard-working kids, and they love what they do,” McKennitt said. “These guys real ly make an effort every time they step on stage to give the best show ... as if it were their last.” Opening for the Paperboys is lo cal band Ashleigh Flynn and the Equestrian Bonnets. Critics de scribe Flynn’s recently released CD, “Selkie,” as a mix of blues, country and folk. A Eugene resi dent, Flynn often performs at venues such as WOW Hall and CafeParadiso. The show starts 8 p.m. Tickets are available at the EMU Ticket Office andHouse ofRecordsat258E. 13th Ave. Tickets are $9 for students and $11 forgeneral public. ORTHODONTICS PAUL SAARINEN, D.M.D., M.S., PC. “Complimentary Initial Exam’’ GO DUCKS! 004477 1814 COBURG RD • EUGENE 110 S. 59TH STREET • SPRINGFIELD 485-4466 Be cool... Make a better world RECYCLE! University Theatre Presents snoa qnv saxio A Robinson Theatre Production Nov., 6, 7,12,13,14, 20,21 8pm yS AND DOLLS 6U^S AND DOL Benefit Matinee Sunday, Nov. 15 -2 pm Center for Community Counseling Celebrating Their 20th Year GUVS AND DOL UT Box Office: 346-4191 EMU Tickets: 346-4363 WlfS fb6\ AND DOLLS ODE Classifieds 346-4343 R ubberneck 005036 Rubberneck, with special guest The Action Figures Produced By UO Cultural Forum University of Oregon Cultural Forum ■ EMU Ballroom, on UO Campus Saturday, November 21st. Doors open at 7:30 p.m., show starts at 8:00 and will go until 11:00. ■ $6 UO Students, $8 general public. Tickets are available at EMU Ticket Office and at door. ■ Tickets on sale Monday, November 16th. General Admission only. ■ For More Information, contact Matt Radochonski, Cultural Forum 541-346-4376