■ HITTING BIRTH, SAGE AND THREE DAY STUBBLE 9pm Tomght WOw Hall This cjwsome show t#Qtures fhrec gtecjt bonds 'i^e's ofnSC> and $ ’ Oregon Daily Emerald I it n u a r y 2 1, l 9 9 ' ► SHOE COMMERCIAL RATING GUIDE taffy Johnson Converse Shoquilfo O’Neil Reebot Kevin Johnson Converse and £n Vogue Clyde Dreiler Avio Reviews vs. <>mparing the films Nrv Is and Philadel phia is like ( ottiparing a bowl of straw berries to a hot fudge sundae both are good, but to determine which is better depends on individual tastes. Philadelphia, starring Torn Hanks and Den ied Washington, is about a man with AIDS who spends the last months of his life trying to prove in court that he was fired because he was gay and had AIDS. Sex Is. described by filmmak By Lia Salciccia Oregon Daily Emerald er Mark Mueslis as "a gay- made alternative to Philadelphia." is comprised of interviews with gay men from many walks of lift!, discussing sox and intimai v m the age ot AIDS. While it's dangerous to make generalizations concerning the entire homosexual and hetero sexual populations, a point needs to lie made about whom these movies cater to Most heterosexuals who have yet to grapple with their latent homophobia and have had lit tle exposure to gay i ulture would find Philadelphia palatable and Sr\ Is more uncom fortable Homosexuals on the other hand, may find Philadelphia annoying, and Sex Is more profound. t can be argued that Philadelphia, homoge - nizod for the general public. begins to make nn important statement about disi rimina tion, but never goes far enough. The ai tion cen ters around the courtroom where Andrew Hei kett (Hanks) and his attorney Joe Miller (Washington) try to coin ini e a jury that the law firm that Be* kett worked for had sabotaged an important account of his so they could hove tn e\< use to fire him I he audience never quite figures out vs In Miller takes the case In one scene he flatly refuses the case for "personal reasons which we learn in a later scene is an intense dislike for "faggots But Miller dues take the case And overnight, this hotshot lawyer, famous lor television ads for personal injury cases, becomes a champion COUWfcSV PHOTOS Director Mark Heustis is billing his new him Sex Is a gay-made" Phtktephui Alex Chee (top) along with Sum arid Abel (bottom) agreed to share their personal experiences with Heustis tor the him Sox Is, /s a documentary style film chronicling the real lives and experiences ot gay men living with and without AIDS 111 for gnv rights Km opt when he's throwing n young law stu dent against a shelf of a drugstore I mean so the young man was pi< ting up on him Hie film successfully deals with w hat it s like to lose one's life to AIDS, and the freedoms that people w ith the disease lose The homo phobia is sometimes blatant hut more often subtle Hut the issue of discrimination against gays is somewhat lost in the issue of AIDS dis crimination. and only suggested during offhand comments in the trial It could Ih- argued that for a largely homo phobe publli . such subtle treatment is neces sary. !*h a use discrimination itself is subtle ather than deal with the issue of disi rimi nation. Sex />. is a validation and explo % alien of gay male sexuality. Splicing together interviews, clips of ga\ erotica, and < ampy govornmom movitt nus, mis mm .i different approat li In tlm HIV virus "I remember 1 was at a party aiul someone i aim* in and told us all that (AIDS) was '.usual ly transmitted said one Interview subjei t The men m the him. who had playfully described gay sexuality and culture as it pro gressed through the 50s through the 70s sobered into dis< ussiiig the pain in the transi lions into liemg gay in the Hits and 00s here was a minister who talked about not being able to have se\ with his wife unless he fantasized that she was a man I here was a young Afrit an American who talked about sex with a white South Afrit an fhere was a i ouple. IhiiIi balding, conservative look jog men who talked about how joyful it was just to hold each other fhere was a Ilian who had lost Ins lover to AIDS There was a drag queen who was into SSM I here were even men who were HIV positive themselves, who discussed how their sexuality was not extin guished. just changed l o gel a more complete picture, the filmgoer would lie wise to see both Philadelphia and Sex Zs Hie mainstream Philadelphia offers a glimpse lorn to PHILADELPHIA, P.ujo H Eugene S C E ME. f ’■ II SCREW KWVA ii sponsoring this rocking con cert tonight in the EMU fir Room Oswald 5 0 is headlining along with Kpants, Kick Giants and Tattle Tale Admission to the show is $4 It should be o screammer Friday, Jan. 21 Oklahoma Hult Center, 8pm Tickets ore $27 50, $ 18 50 Hitting Birth, Sage and Three Doy Stubble WOW Hall, 9pm Tickets are $6, $7 Folk Music of Greece EMU Ballroom, 8pm Tickets are S 10, $8 Uead Ringers Good Times Cafe and Bar 9 30 p rn Cost is $5 Saturday, Jan. 22 Hero Hero’s Fourth Anniversary Celebration Corvallis 2to5 p rn Renegade Saints with Dopplegang WOW Hall, 9pm Tickets are $5 S6 Sunday, Jan. 23 Heidt Chronicles (benefit lor Womenspocej Robinson Theater, 2pm Tickets are S10 John McClutcheon with Debbie Dietnch WOW Holl. 7pm Tickets ore $8, S9 Crealura from the Black Lagoon John Henry's, 9 30 p m Cost is $3 Monday, Jan. 24 Rooster's Blues Jam Good Times Cain and Bor 9 30 p m , Cost is i 1 Tuesday, Jan. 25 High Street Good Times Cafe and Bar, 9 30 p m Cost .5 S2 Wednesday, Jan. 26 Hobo Good Times Cofe and Bar, 9 30 p m Cost a S3 Thursday, Jan. 27 The Oregon String Quartet Beall Ha", 8pm Cost S3 S5 ( IM \1 A PELICAN BRIEF *** m STARRING: Julia Roberts, Denzel Washington, John lithgow DIRECTOR: Alan J Pakula RATING: PG 13 RUNNING TIME: 2 hours PLAYING AT: Area Theaters By David Thorn ( W'iy. y! lit't I r’w.lhl Relying on the talents of a top-notch i ast and a best selling author. The Pelican Brief is not a pcrfei t model of the thriller genre, hut is nonethe less an enjoyable picture that is worth the price of admission. The movie begins with the brutal assassinn lions of two Supreme Court justices A New Orleans law student. Darby Shaw (played bv Julia Rolierls) theorizes a possible conspiracy behind the crimes, based on the judicial tendencies of Turn to CINEMA Page 8