in «Mrf*rAMMi«r The World According To Garth U. goes on the set with Dana Carvey, Aerosmith and the cast of Wayne's WorldII W ^^■■■elcnmc (<> \urora. f not him .1 place, but .1 state t ribbing is taking place backstage, as the cast (cels the comic momentum of the shoot Hut there's also a lot ol modesty and mutual admira tion going on. It’s a virtual lovefest, this Wavnestock busi ness. "I just feel prett\ grateful to be a part of it all," says barley In fact, Cartes says his own success shocks him. “I always think I’m going to be out ol this business as ol next week," he says. “I keep remembering I was a buslxn in Belmont, Calif. I was mostly stoned, and most I\ pla\ mg Kisk.” \s to how fun ns the finished product will he, Carvey is hesi tant to predict. “You write it, you rehearse it and then you shoot it s() times,” he says. “I think the film’s turning out funny, but you never know." In Hiiyne's World II, ('.arvey/( iarth gets to hook up with Basinger, who plats “the seductress,” as well as Olivia D'Aho, who plays “(iarthette" Betty Jo. Will (iarth finally get to take that “lug step” into manhood: ( arvcv won’t sat So what’s the best part of Watncsiock: “Watching Verosnuth.” And his only com Paramount \dapted from the Saturday \/g/>r lit skit tli.it made “.is it." “schwmg" .iml “not" household words, Haynes H'orld II Imasts .1 bigger luulgct, .1 lug ger east and lugger c\|icctalions than last tear s blink blister. Also new is director Stephen Snriik (Kids in the 11,ill) who makes his motion picture debut. And while the cameos m the first movie included S\l. co star Chris Farley and Married i:nh Children's I d O'Neill, the sequel features the likes of Charlton Heston, Christopher Walken, Kim Basinger, Drew Barrymore and, of course, Aerosimth. I his time out the boys have moved their cable access show from the depths of W ayne’s basement to a hipster loft studio in downtown Aurora. Ill W ayne feels angst about his future and faces a record produc er (Walken) who has eyes for Cassandra (Tia ( arrerc). VIso, (iarth hooks up at the laundromat. Today the cast and crew are filming Waynestock, ,t sort of Woodstock revival a la Wayne, Aliout 2,000 hippy extras are on location at the Calamigos Ranch in Malibu, Calif., and they're getting lust as antsy as the audience they 're portraying. I he extras have been standing in the oppressive heat for hours without the stimulants that benefited the original Woodstock crowd and even though they've got several hours of shooting to go, fatigue is setting in. A crew member veils at a group of loiterers who have escaiHtl to the shade “ I hey want |>cople to lust \:ork tor a little while.” I his seems to go against the nature ot the extras. “You haven’t been here that long,” he scolds Sunscreen is distributed to keep them in line. It's a virtual lovefest, this Waynestock business. Backstage, ( arxcv the veteran ot seven years and 125 episodes ot Saturday Si^kt l.ne is doing his part to keep other troubled youth in line. Myers is on the other side of the set, filming scenes with Carrcre and Vcrosmith, and (.arvex seems to have been appointed master ot ott stage ceremonies by popular decree. Chris Farley, who returns as a roadie instead ot the security guard he played in the first flick, is trying to get Carvey’s attention. "I ady'” Farley calls out. refer ring to Carvey's Churchladx character, "l ady'” he whines, much like a child cry ing tor his mother at the supermarket. But ( arvex will have none ot it he snaps his lingers and barley tree/cs. Other cast members and roadies join in. I hey |<>k mgly deter to Carvey’s comedic dominance over their lesser fame. "These are my merry men,” C.arvey says yxith authority. “ I hey love it.” plaint- “Jaw pain," which he sues comes from extend ctl periods ol i Inn mangling (iarthspeak Finally, it's time lor the big show Acrosmith per forms "Shut I p ami Dunce” several times tor the grand finale while Farlex and the other roadies do the White Man’s Oxerbilc. I he audience is instructed to remain silent while moving their heads in unison like W ayne and < .urth did during the infamous “Bohemian Rhapsody” scene m the Mirthmolnle. “Do you remember in the first If ayne s World when they were sitting in the car doing a lot of this?” savs a headhanging assistant director. "Now it's vour turn.” Apparently some of the extras never saw If dyne s H'orlJ, as they arc raising their arms in the air while hanging their heads. “ I his time no arms, no hanging,” savs the assistant director before the second take. "Just heads up-and down, heads up-and-down.” I he sun’s going down on Waynestock and it’s time tor extras and onlookers to head home. But Myers is still recording the scene where he wel comes Acrosmith to the festival. Once again, the hand exits (lurth’s modified Pacer, which is now limousine length, chauffeurcd and cinbla/.oncd with flames on the side W ay tie musters up another heartv “Welcome to Waynestock!” I hanks, but it’s time to split. Party on guys. And (iarthspeed. Q