Daily fimeraW% Weekly Mum I heater. Dunce. V kleo atul Syhthfe t uuJi
12
Norton Buffalo and The
Knockouts (blues) at Good
Times 9 30 p m $8
Snow Bud and The Flower
People/ GravelpiV Marshal
Plan at John Henry s iupm 54
Skankin Pickle/ Black Happy (ska/rock) at
the WOW Hall 9 30 p m $6 advance $7
door
rs
</>
13
Renegade Saints (Bohemian
Boogie Grind) at Good Times
9 30pm S5
Poison Idea/ DC Beggars/
Alcoholics Unanimous/ The
Psychedelic Hangers (punx rocx) ai jonn
Henry's 10 p m $8
The Laura Kemp Band (folk) at Taylor's
9 30pm $3
Tina Marsh and The Cactus Band (modern
pai2 vocalist) at the WOW Hall 8 30 p m
S6 advance, $7 door
c
3
tn
Euittd Brothers (Retro
foWrock) at Good Times 9 30
p m $1
Acoustic Bluegrass Jam at
John Henry's 8 p m $1
Edward Kammartr (music tor horn with
vibes, violin, bass and synthesiser) at Beall
Concert Hall 4 p m J3 students. $5 oener
a)
c
o
s
15
Rooster's Blues Jem at Good
Times 9 30 p m $1
The Big I Am/ The eleven^
James at John Henry's 10
pm S3
</>
9
3
16
High Street (acoustic rock) at
Good Times 9 30 p m $2
The Elizabeth Tailors/
Everywhere Al Once (rock) at
John Henry s 10 p m S3
Cricket Fence (acoustic rock) at Taylor's
9 30pm $2
T3
w
5
17
Tin Daddies (funk rock) at
Good Times 9 30 p m $5
Onomatopoeia/ The Clorox
Girts (alternative rock) at John
Henry's 10 p m S3
Boogie Patrol Express (90s disco/tunk) at
Taylor's 9 30 p m $3
11th Annual St. Patrick's Day Pub Night w/
Skye. Up In The Air, Blarney Pilgrim (tradi
tional Irish folk) at the WOW Hall 8pm
$5/6
i/i
h.
3
r
Acoustic Junction (dancw
folk/rock) at Good Times.9 30
p m $4
Village Idiot/ Hoodlum Empire/
Reach (rock) at John Henry's
10 p m S3
Grtfory Field (folk) at Taylor's 9 30 p m
S3
White Zombi*/ Monster Mo|imV M99
(hard rock) at the WOW Hall 8 p m $10/12
w
WITH
Court4»ty Puerto
St—ping with Ghosts." Mike E Walsh's largest Installation, contains 20 pounds of oak loaves, throe TV monitors and 50 toy animals.
up
COMNG
EXHIBITS
AROUND
TOWN
PTKto tri Jfl P«M*
On* of Walsh s
smaller con
structions
(above), this
piece is a pari
of "Toward the
(Horn."
Opening at the EMU Art Gallery March 12
In a world frought with hunger, war, AIDS and
environmental decay, we find metaphor through
art.
In the exhibit "Environs: Nuclear Visions.” artist
Mike E. VVulsh uses a combination of appropriated
images, texts, constructions and found objects to
directly challenge viewer* to con
template. even reconsider, social,
political and environmental issues
Walsh's new series of mixed
media site installations is ui the
EMU Art Gallery through March :it>.
with an opening reception March
12 from 6:30 to 8:30 p m.
Walsh's art moves freely from the
expansiveness of his installations to
the minute detail of his plexiglass
box constructions. "Sleeping with
Ghosts," Walsh's largest installa
tion, contains three TV monitors. 20
pounds of oak leuves and 50 toy
animals. Meanwhile, his smaller
constructions are confined behind
plexiglass as venerated artifacts.
These smaller, protected con
structions are juxtaposed against
bold, stenciled text on blue tarp
backgrounds that are intended to
expose rather than protect. Walsh
said The text itself speaks to the
irony and pain of life.
Walsh began his politically
charged works alter ne returned troni Vietnam arm
completed his art studies at the University in 1972.
For two decades his mixed-media constructions have
been shown regionally and nationally in more than
200 group and 50 solo exhibits. Art critics attribute
his success as a conceptual artist to the fact that his
imaginative scenarios and objects are symbolic of the
individual events that make up the fabric of our lives.
___
Count** Ptxxo
A photo from CM Ivor Qag Hants 1992 “Yosamlta" sartas.
Opening at the Museum of Art March 14
A comprehensive retrospective of one of the 20th
century's leading American photographers,
"Taking linages Home: Oliver Caglioni's Life
Work in Photographs." opens Sunday at the Univer
sity’s Museum of Art.
Cagliani comes to the museum March 14 for the
show’s opening reception from 2 to 4 p.m. The show
continues through May 2.
Cagliani was trained early in life as a musician and
composer and later turned to photography after view
ing a Paul Strand retrospective at the San Francisco
Museum of Modern Art in 1040 lie then studied with
Ansel Adams and Minor White ot what is now the
San Francisco Art Institute
“If music is the language of the soul, photography is
the language of the spirit.” Oliver Cagliani said, indi
eating that he recognizes many similarities between
the two art forms. For example, the tone range in pho
tography is parallel to the tones in musical arrange
Turn to GALLERIES. Page 10