Winona Ryder is a,.,n hcrniiic <>l lilt* twc'iilN something gen eration, the James Dean oi those' who grew ti|) wearing purple polyester helihottoms and < ante of age dming Madonna and Mrii i*. \u I si / tifttnLi ant! / htl xrtuhon of Ihi; otr Slum ( Ir.uh not voill tvpi* .il U rn tint) stull Most of m\ |a\out< movies .to rinntion.il. iijvvnm heart-nut. drag 11 thtough the sit * it km* I til mi »\ its she viva with a dai k suit It I nth t'*i the .t< Hess has a wist ness about hei apparent tlnough htl tonlidt lit frankness I iu ia* i dial sht s Ik * am* a ~tuovir stat srems not t* > ha\r phased hri Mir 111 tamlv has n< >t g« »ue through a tv pit a I ethn ation pit h ess UiM'iw ini at .n;i \ '\ at ttic San I taut is* «» Ament an ( --iim i\aim\ I hratri Rvdn va*« oIh tiM »k s« mu i »j hr t * at h tv >i« s oh* tin kt*\s'« to get * nil«»l high s« hool < lasses. I w.»s v» mni; Imird and I \sallied t«»\o*i k sh* saw \od \><wk sh* has I dm atioiralh she's never l<M*k*d ha* k *»<* aviotialh taking * lassrs male! ialism. .H \ rmnu .1 \tuu i in the 14JHb k l.issw . Hmthtm, iiiM.inih gaining ihr n Sj»r< I «*f tern evui < \e!v\tlH h shr ** in.itlt I I movie** in he I eiglttNr.il t.urci, m< bubug linns HfrlUtuttf. \fnmtn but h.t\ mg mMlrsirt* loatlriul t olu g< I in coinpletrlv |Ht»-«»*Ilrgr anti [ »n m «i 11 < .tin »f 1. but 1 I eel like I III queen ( ) f I ^ . k ': 11 11 ' i' ' i < < < S • i! 11 i i: d. .!»•.; '.tint 1 • * I * 1* 'ill, ^ / ) / I s| < , - / it ward StiiwrhiiUtlx and im*n% Hr am Sh 4.n \ Ihu<ul(i. tnoii than earning Im die tide • f "ijHrni * d ! tTil ^ angst Hut Kwiei. tin N e.l! old at liens and gn<h tidd *d tali at id r\jM*tI I niioth\ I < ai\. has moved hevunti teen I dmi 1 just It am about movie's whrit I inakt mmies Ifsa big hie Irwin ! u.isel a l<*1 and i It am a lot alxiut e*d»ri « ultuies mi I don t It t I im edtn at ion stopped I ns lead K vale 1 s (lit et I«n s have been b t nt 01 Martin Smisese. Inn Burton anti I taut is I old ( oppnla she s< lr.uk l>et ttine tin head ul lie 1 t lass <d young thrspi.ms r-T' s/; rj I teat III I s . \ till tv 11 ll vtn It .iv I tint gi rat* R o ti 11 n e 11 1 (impaled In (lie loval great* til |i 1 r t 111 it * generation* (he like* id Natalie _ \\ 111 til and I illtait (.i*lt Ktdei 1* i iiniing id age with a g I a 1 e I 11 I 1 on I 1 d e ti < e and a well 111 1 at eel pa I It ahead id hit \ ltd hei attse nt he! uni aunt ahtlttv In avoid tidi* m llolltwnnd homh*, she's done it .ill without .11 i) it 111 ttg the k t * * id death “teell *t.il " laltrl "I've Iteett trail* Itn k\ that I ve winked nil llltlt* that weien I teen film*she *av* Most ' ■ f \ ul the film* that I've done were with *, adult* and geated (in*aid a mine adult audieut r ’ (>1 i nut**' Ktilet sat* she * vttated lit the past hating ailed 111 a lew movies she d r.u hr I lot get Hut aside limit those sell adnutted "turkeys." 1*1 knew when I was mall ue them lint weie had. Inn 1 . i mldll I do ant thing alxnu il With (aippola. thing* Itateii i .ilwat* been smooth a* lellnloid though Slated lot a role III < oppol.l * Godfather III, Ktdei lei I the set die dav she was to begin * h o o ling. K ilium * were living about pieg naniv. e ill o I i ii il a I breakdown*, ill ug ii*i. and pluhlems with |ohnnv l>epp. hri on-agaiu, oil again lelalionslnp i lit the wav. it’s im lot now — on lo I hr point ol a hoiildri on hrl tell hand I Hut Ktdei sat* il was sheet phtsu al rxli.ui* lion and an tipprr i espu aim t mlei lion lh.il let I hei with a I III degi re level and an inahiliiv lo wmk ( hhri ,u lievve* mat mil hate Inin able lo r*t ape the hai klash, hut nrilhrt Rvdrt's lelalionslnp with ( op|Mila not hei |xipul.lilts weie damaged ■| (eel/olhn III| was |u*l anoihei pri>)rt t I hal one didn’t work out I In* one did and it * iralls miledlhlr Ktdei s-lt*. dismissing ihr lopii Still, altri all the "carrel" roles and lauded (K rlormani e*. Ktdei vits she has no true game plan Im hei hie she has no wish list <>i rls< I u.is going (n get Mini ") slu- tun In-rn lui k\ it tti»' ti»il\ ivists m H.iIIwmkmI wnli tin lilmv ■Viut now mill Miim, tin noln t h.it.« let in IhuniUi. she lui iti*' |xitn l rule to t .tin tin into adulthood in the evrsol I lollywoixt Nim n was time In ^11 mi l ih.it hinlgr going limn .1 tern -agei In .1 voting woman, uIm ti I was (tiling 111 mi lilt-." KuIn wn />111111/a tr.iUni'N Km In .is lhe mm .11 n.ilnl |i isl love 1 >1 .1 snlm live h i In 1 living ol dim t<»in 01 tolrv pirMimahh rx-t.msr wu* ha* *» main offer* thiown at her “I 've* Ikch rralh luc k\ Im*< auw* l'\r ju\t had ihrv realty amazing mlm tome along I know .» lot ol at Hesse* who have (comr at io\* the problem), and I’ve heard thov complaint* and I Irel vn> t om passionate. and I (eel almost kind ol guilty that I'm not going through it." (.uiltv. veah. hut not ajxtlogrlit It's good to lx- Kvdei what with tin* hot Ixnfnetid. killer roles and seemingly unlimited |xitrnlial l)ia<ula pl.ivru li v t *.»i v Uldin.iti \uthcm rs. .it t usiomt-d to the* nuasiinnoimi<* ol Ruin ’s cmiIic*i sulmihan hasnl |mi ts, nui\ In- i)xm ked in the* tnrlul ol Ruin s i.iw v ioualm and passion Not that R\«i«'i is about to go soli |*»m oi anything IVspitc tiw* roll*, siu* sa\s shr s not a fan ol blood gore and skm films and M tualK nevn lias sn*n a l)ia< tila movie Hn lavoiiu* mono .nr about vsai. unhiding tini iiii munv i»»’» lii.in ii lit nit hi Itliiiniakni);. alnad\ i\ talking alxun tning In i hand .11 dim ting Tin vrrv inlru-Mfd m ilul. Inn I rr.ilK nntild mil grt ahead nt imtfll.” she viv> "I vi.iiii in rrath wan until i«‘\ mm', and I don't know whi n dial >. going In bt judging In In i past, 11 mm'l Ik- Inn); ■