Oregon daily emerald. (Eugene, Or.) 1920-2012, October 09, 1992, Page 10, Image 10

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    DEVELOP & PRINT • 3” PRINTS
r
124
exp
IJ97 36flj97 I 50
36
exp
2nd
set
i
coupon must accompany order.
CAMPUS 1 HR PHOTO
1231 ALDER • 683-4693
Susan Marshall & Company
riungmg emoroces rossionaie
erstosy Suspended lovers
airborne in harnesses
New York based Susan MotshoH rs one
of the most bceothloktngly origmol
choreographers on the s<ene, leader
of o new generation of contemporary
dame mokers
frank and poignant, MotshoS
dames eatopuit us to the
heart of human truth
I IlirCKNTIK
it; S 8 9 t * («9
I
$S STUDfNT PfRfOtMANCI:
WHJNfSOAT 0(101(114 7 pm
JADE PALACE
CANTONESE & SZECHUAN
CUISINE
Profession.il Wok Cooking
All You Can Eat
BUFFET SPECIAL
★ Great Taste ★ Fine Quality
H-tfct.thlc Oil ~ No MSC
906 W. 7th • 344-9523 • Closed Monday
Our Regular Menu is also served
The EMU Cultural Forum Presents
Performing Contemporary
Arts nvitVEWs issues
RAP WITH
This N.Y. P^rUmonce
artist wHl discuss the OCA.
freedom of expression, and
issues surrounding
measure #9.
Saturday. Oct. 10
12:00 pm to 1:00 pm
100 Wiomette
(on the UofO Campus)
Noontime Cabaret
Open Auditions
Pwtoimance AiSrti OnM
Saturday. Oct. 17
12:00 pm to 4:00 pm
Ben Linder Room - EMU
(on the UofO Campus)
Col 346-0633 tor mor# Information
'INdbENT AT
OGLALA'
•INCIDENT AT OGLALA: a
doccmentary narrated by
Robert Redford; chronicles
a shootout between Native
American* and FBI agents
that left two agents dead.
Lakota Sioux actMst
Leonard Pettier unjustly
convicted of the murders,
and a contoversy that con
tinue* to this day. A special
screening recognizing 500
years of Native American
survival. Co-sponsored by
the Native American
Student Association.
Monday, Oct. 12
7 00pm with panel
discussion to follow
100 PIC (UofO Campus)
VERBOTEN
Continu#d from Pag* 7
University needs more forums for creative
debate
In fact. "Rap with Reno." a free discussion
with a New York comedienne that will address
issues such as First Amendment rights and State
Ballot Measure 0. is being presented in collabo
ration with the “Vnrbolen” exhibit on Saturday.
Oct tO, from noon • 1 (M) p m at 100 Willamette
Hall
"This exhibit should spark dis» ussion 1 think
we mvd to talk about the issue of censorship anil
about the deBnilion of obscenity." A morns* said.
"It should raise the question. 'How do you
deline obscenity?" lust because I'm opposed to
i enswship doesn't mean 1 don’t think things are
obscene !o me. United Stales foreign policy is
obscene, not genitals." she said
One of the Vertxiten artists was told to remove
his art from the ArlQuake show in Portland, Ore
"I’m not driven into making censored art.
Society brands me that way." Michael Randles
said. His pieces in the "Verfeoten" show include
"Paler, Paler". "Slave Table" and "Madonna
With Fashion Statement.' His alter ego is
Michelle Randle.
One thing all his pieces have in common is the
Rock Maple crutches that he buys by the barrel
load from the Salvation Army. He then recycles
them into art "Otherwise, this select-grade mate
rial would lie thrown in the dumpster It is
wrenchmgly painful to see .dl this consumer-dri
ven refuse mounding." he said
"Artistic freedom does exist, hut there is a ter
rible price one pavs for seeing another paradigm
In the end, all effort is political, either affirming
or denying prevalent conduct, i e political cor
rect it ude My work speaks directly to the elite
and disturbs 'formalists' because it can look like
art and sav something political Art for its own
sake is flagrant," Randles said
HERO
Continued from Page 9
ventually his own const unite
mshes him over the «♦«!>;•• well,
limns! tiler I he edge, and it's
i|i In {lain and Dernie to save
dm
Most of the acting m llnro is
\i ellenl (lareia does a descent
oh at < mating a si mpathelic
iaf. luit it's tliffit till In under
land his motives behind many
d his at lions because ol his
lev out solemn appearance
Davis once again proves dial
he IS one of die lop ai tlesses ill
follvvvood, and Hoffman is
rule al the lop of ihe acting
world when it comes to creating
memorable characters Once
again. Hoffman provides ib
with i person that's difficult to
forget in a creative anil funny
way Benin* mav he cynical. Ind
at least he's lovable
Other interesting characters
pop up every now and then,
including a surprise cameo
appearance hv Chew Chase as
Cal* s domineering news direc
tor
While the acting is certainly
above par. probably the most
entertaining asset of llrm is its
sharp-edged humor Manv of
the laughs come from the witty
satire of I fie media and how
their interpretation of the storv
i ,i n I)*; lot«11 v (I i fleren t the n
what really happens. Rarely do
we find a comedy lhal avoids
going for tin- cheap laugh and
decides In go for something a
I it l mure respectable.
However, director Stephen
(•rears never provides the audi
ence with any definitive
answers to what a hero really is.
though he does ask some pretty
interesting questions.
All fold. Ili'io is a strong con
temporary comedy that creates
a much-appreciated freshness
through its material and charac
ters.
(Ultra HUDSON' D LEVON HELM □ RICK DANKO
TAJ MAHAL
oTuTTSTs to
ALISON BROWN a “DOLLAR” BILL
HILTON
BALLROOM
SUN. NOV. 1 8PM
TICKETS. |17 JO ADVANCE/ $19.00 AT THE DOOR
EMU MAIN DESK, CO WORLD. FACE THE MUSIC, HAPPY TRAILS
CORVALLIS. HOUSE OF RECORDS A RECORD GARDEN
PRODUCED BY MCA CONCERTS
JHE EMU CULTURAL FORU*
ARKANSAS TRAVELER REVUE