The world's wackiest hand gets paranoid It* DAN Y (.KIMM />..:/> / »r\ \m/Tr ( .thh >i m.« St.»ii l I • -ti IU i. Ii Soli I .Iff NMIIVj 111 C' | ( • « i I « jl.|NV,|.'( s I ihtn^ li.it in11ii11 u ( iini|Miurnrnt Smooth. \ilks vi h .iKiic h\( i mi; phi «S4 n «*1 |* H hi ',U It I Not’ I h< m 11• th< I >< .nl Milkim i1 In \ «i«»n i |>1 .in tli.ii \S 11»!« flu*' l».i\« f ■ i r i «• i (I m» tin «* i i!h most >.i 111 i< .i I. hi nit .inti Ini.ii i« Mi' Ivin ' ill ii* k .Hid i«»ll. flu ii sound in h Iimli n'!\ ( li.ii u ic uti ju t-ilit l .title .mil .ilut* *n| < otnplt (rlv ci< \oid "I .111\ «'t ihoNt » him n In I Ik s l \ j *h ills t hi i >VN I - >v;( du i ,m n hi (i< ill .is i *! n i \ h n iml mllurm « n into » loud (Ullibh llut slmvtN disd.uu !<•! ,ms S4 .i 1 * •! mush ,il jiU'Miin \s l Dili IK »Ss . ! ll.ll is lln II s|\l!i 11 i < »t il V'., i-,.\ *. si |. 1 vs v .1 turn h iihxc rmph.tMs mi tin mush il suit »»l llu < * jii.iii« »i» \s t‘\ It l( I h it I 1»\ Ml* h I t M I.lth ills h llu J » . lux II .11HI s.i\ solos oil ! I - 'Vs 11 S ( .O lilt. I I* lllii llh « t!« ll\ SMI l 111 SI. ( ! I if Is vsosrn ihi»Million I llu it « mil s 1 \ Hi. ks ii .ijjjh ns ilus* lull I t o| t t o||<v;« I .It 11« ul.ll lilies >^o| 11 UK f III » XI Its llu haml no mix is k< s l*o.i i tlisi .uni v.». ihsi HP 1 lose 11 l .il I mill .III si .nit 1 sot .ills! Hul It ills 1 i n vs t 11 fit i f'.issisi H im |U. h! .uitl ilmmmt l Ht hi I It in . miinli ifi.it lilt mush h.is t st'lstti. lull vs. *ult! licit itiimt (h.il it is llu icsiilt «»l .1 n.Kiii.tl m.utiling jin* < '' Mmr hki i iju miih: ‘ini i • 'inn,; I ii»\n» i .ill vihi lUlHKi VN is . 11 S< * Ill >1 U 'I li Maturing v>uncU like vtui \houl<! 11»111 11»i \ \ K l‘ • >i m »mc•! h111.• In viiil v*ilh .«giiiii.it» I n .iMMil .iiiv tmsuuih i st niilm;; S.‘u! f\>'i.Uwn ilmmi i rvrn irinoli l\ it m inhl« m \11 'mij>|»!\ h iimiI lh< Milkmt u • in sit 11 v •uml iik< i nislv v’.11 c■ • shill Ihil ih« \ sl.ipjKu i linl< .im >>t h< linip > this nine I !|«* I (Milt is .1 s4iUllt! tll.it i> * l( Mild MUHC in tutu uni .( lilllt nu»tr lisu n.iblr \S< V* .ltlt( li I ' ‘ M (' In *VS ! l : t Vs t V 11 t *: : M ; ' l» 1 VI <! 1! It I W t • » Milt! vjct II- *\( I ( I lit vti< I ' U » • ’ ( ( ; 't ; H « ;.!( : i; i ; i1 ^ ,iU >n! tlu l\l I* s \\« : t s n • i> ** >k . * I •• • * ■ • t 11:: u ■ • < V | m i I:: ■< ! 11 vm ! 11 lhr s* mini this Hint hot «it-Sjiltr tlu II (h st rthvlts |K'i*plt vsili still (.ilk. .llx’lll I hr Iv i ii > K < t m m11 i; t«• t In n •< s ««t p.ii 11< < >i.» uni «»i hr i vsiuitilinrvs tli.u luvr ptmrn in h ^nmini h»i tlu luiui in the |» »>| tlu !\ ! U s . . »l' M s!( ! :' K >! i. US I; • 1 ■ MllkUU *: .1 > < I lust thru s.u t .isf u ^uhirn *« »u« h S < • a it < hi < ^ *un this The Dead Milkmen Pt.»y their album. but don't take them home for dinner i hunk < >1 I h< < * hi\|mi it \ S* •!(;; I hn '.rn liu \tiiU, lfirs >,,'n l'./ •Hut-fi thn fn.k ihs ^ifinn> ■/ N Sr .’ I f.n . lb ( :'us .. •. I' tbs .•*; i'4/ Kfus/jm* \1 . I fin (mi iht ht*Lr in my Om (nil ih.ii \*ukkr in my truuih x h v t \« r\ tl.uk [ui.iihh.i hut I think it *> > jii'titu ti | Ml iiu »i.t 1 Insert i .lit v.ncl t»t flu !\in .il tlx IlH-n 'IIIAMIIi; tll.i? tin .il l 11 f p - k« S hut icflt i t .u hi.il Milk I n« 11 phi i. >s< *ph\ '■ I N *opl« ■ L iu> ’,1) .it • a >i n< * of out * * ii ii Ir* *t - a >r i} Wt ■ wr it«■ . I • « ll I * A >11}’. . II K i I X 1 )( )l< ' tl iii ik it's. r« ■. illy ft ii u iy/' — HP Hovercraft I hr Vk<»i let is iuii h j>rt »pl< hit s .11 < i imp f In v } w * *pU ni.iv u<>l ha ililrrt'Ms a! In if l \N llh i * .*!.ii> »i' lull • >1 !ik( k ihi W 11)I'im * I limi; I h.i! t >nl\ I .its I .tint Kt ! a 111 s t<* tin \ n<li i s- •!) \\ ilktu.m ami ! i« >v* \» >u u* ttililu is a luml iti.it vs.mts in U i \ l i \ 11 V* hini; i ti.it v« • Mil Ik M solijn i It It s »11S . lilt I I IppH ' / i M i *” Hl<t Klltthoh S t think 1 Ins i !.lk< II li H > N4 ! i. minis Ism I I«»\ <i i i .ill pit»!« \m x to h cling til. 11 I hr h.UHl is |llsl .1 III I ir UIIMlIli 1< i sn n h ! IVopJt i.mgh .if m miu ol i mii vuhlrsi s< »ngs \\< ssiih is.nl vMii.; .itul |k <>j>li think h s t< ills Ilium hr vim! I In M i Ikmrn *h« • *iii I * *} * t. i. «ss \ ■: m i« i tins sum mo i!n i i h\t vs i < k t < mu •'! I m-*|H v, i \ 11 u v «1<> mill t«» m.ik< \ ■ -1 i think l hr s list <l« *n t i Iii'um I hr p.il It > >t > >s c i) >!« >ss n |>1 r.i» hmrvs hk( vis l ‘ It v» mii j». ut nis let title smi. v < »u ii< mi t Ir.un .msthing Mcvciti iti s.tnl i'.ti! •! tin |>n»hlrni in tll.it tin (>r<>|ilr l< i tilling \«Ml .11 r usiKills sin h vs( rmt s t h i: : , >. • i ! k i s s < •: I h i n k 11 h 1 < 1 r * H1 < I <»I v- - uIm It I It in Mill Ybu think your life is scary? Try Nick Cave’s By LAl'RA SCHMIDT Cuiumhui I huh Spedatm, (ailumtna 1 Sick (.ave is frightened frightened that Henry's Ihmm, Ins seventh album. < iml.tmstin- i.isl snugs in him. "When I decide it's time to make .1 m s iceoiil,” hr s.ns, "I am 111 .1 stair of panic until it s finished. Hetirt s thrum* as a nightmare to make, a nightmare to wme I would llleiallv pass 1I11 room with the piano in ii and look at it out of the cornel "f mv eve It would !>e silting there, vs.>■ 11 u>> f*u me to waste another five tiouis hanging ori something that nevei c ame to anvthmg " lo those who have known ( ave since he was the ftontman for I lie Hnthdav I’aits in the carts HOs, sue It an image mas seem strange Me fias always been [jortraved hs die press as a * .its guv. whether it was as lire Paris's goth-idol -singer, or as a rock star turned writer who t hose a criminally insane hoy as the lead 1 haia< ter of his first novel, "And 1 he As* Saw I hr Angel.” Nov* Cave live* in Brazil, rrluv* hi watch MTV, .mil insist* that there is more to hi* work than ht* seeming obsession with ** arv i<i|im * "I think that people trnd toward* cel (am element* in my music (more) than other ones, rhey generally L a»*!l V t* UlXTH* Poet of a generation — or |ust doepfy disturbed? completely ignore the ImtiKM in inv work, and thrv dwell on the 'daiket mi !<• for W.1IIi of .1 iH'ltri wind I mean, their is dul side to nn i turnlet l know it vers well But there is also a very healths sense of humor to my work... or an unhealthy sense " llrnn'% Dream walks both sides of the issue, t out anting songs whit h are intelligent, provoking, tint omentHmat, frightening as hell, ami hilarious. Hr album has die rimiantu flaie of hts Iasi release, Itu (*»W Sun, hut with a tawei feel and ri« kiet tone. But tntisie is not the only rtealive outlet for the Australian-born Renaissance nun "And I he Am haw I hr Angel”, which rame out in 1988, received favorable n-views m liotli the music aiul literary worlds. But it wasn’t (use's first fourties into writing. After The Hudiittv I’aitv broke up. (Live authored "(.hosts of the Civil Dead,” a film strip! about killer and prison dushim J.u k Henry Ahlxitt, authoi of ‘In the Belly of die Beast * t asc lues also appeared ui ‘Wings of Desire* and ‘johnny Suede.’ Wim Wenders even askrd him to |k-ii live tide song to Im latest film. "Until the End of Hie World.* With all tins going lor him, it iloesn't seem possible that (Lave would ever dry up. For this musician and writer, In iwevtr. the worries just get lugger. "The laigcr sou timid sour hat king ol material, the more you have to Ine up to." he savs with a solemn expression. 1 dr's not completely awful, though, and Cave realizes that it 's really a question of perspective: ‘Most ot it is just a nutter of siumg down and doing it and not winning alxnii it so much. I write my best stuff when I i an get ntyself into thinking, 'Fuck it, it doesn’t really matter that much. Go in. do it, ami enjoy it'*