BACH AND THE BEATLES HAVE ONE THING IN COMMON... They both appear daily In the UO Bookstore's great music section - along with Mozart. Ellington. Waylon. and the Stones WE MAKE READING MUSIC EASY. .. . K ’ ■ 346 4331 GUITARS/BASSES P.A. GEAR ACCESSORIES AMPLIFIERS EFFECTS < KOSSKOADS Ml 'Sit 170 VV. 6«h 1421747 N(X)N-6 P.M. MON-SAT < ^sa f M 7971 $ 1> FULL LIME MEW & USED RECORDS, CDS & TAPES Open until 6 5un Thur5 Open til 7 Pri 8t 5at We’d like to compliment you on your choice. Save now on select color Macintosh systems. Now through January 5,1991. take advantage of special savings when you txiy a .Macintosh* 11m. Macintosh Hci or Macintosh llfx computer anct an AppleCokir ’ HtghRcsolutjon Rt'»B Monitor* Whether ycxi choose the new Macintosh Hsi, Apple's latest powerful, affordable system Or tlx- Maantosli Ha, known for its high performance and expandalxlity Or the* maxinium-perlomuncv Macintosh llfx. w ith its virtually unlimited expandalxlity You'll tv getting a system of lasting value Not to mention special savings when you buy your system with the AppleCokir High-Resolution RGB Monitor Hurry in today for a closer look at these Macintosh II systems. You'll praise their value, and we ll compliment you on your choice with special savings. No matter which system you choose Microcomputer Support Fah 202 Computing Center • 346-4402 Monday -Friday 9am-5pm *• <lrt pnfOkfctet!•»•) iwrwplt • • aj wtartr pmMmtiJ by taw •* c.Y» •***• % Vf» Ar VT* <e U* i»i4 4* V V?* A*** '% » s mmtn+tr* J Iff* i mf*** An 9ns C.*utu»\ pholi' A music major uses the M.ic Plus computer attached to a synthe siser hi the lab lor technology and music instruction to practice his aural skills. The music school hopes to e\ entualb network the computers and run them off a hard disk. Computers modernize composing, performing Most musicians re member the many hours spent practicing scales on a piano or playing phrases of notes again and again searching for precision. Practice is still a key ele ment in a musicians life. But there’s an easier way to train the ear to recognize the deli cate sounds. Last January the School of Music opened two new computer labs. One, a lab for technology and music in struction, provides a work shop for students to develop aural skills and a place for GTFs and professors to cre ate lessons and work on pa pers and handouts. The second Ian is a music composing lah, where stu dents use a Mac lki and a series of sound modules to synthesize the music the composer creates. “\X'e want to lx* ahle to provide an environment for students, faculty and guest composers that will allow them to produce wonderful, aesthetic work," says Jeffrey Stolet, director of the com posing lah. The lahs have actually been around for many years but were incomplete and un usable. “When I got here two years ago, the studio was a disaster. There was no hope of producing anything like art. Now that is a possibil ity," Stolet says. Assistant Professor (iary Karpinski was hires! by the school in 1987 to teach and coordinate the aural skills program. When the school received additional funds in the fall of 1989, Karpinski was asked to help reopen the technology lab. I he tec hnology lab con tains three Apple IIs, three Mac Pluses, one Mac Ilex and a Pitch Master. Each computer is also hooked to a synthesizer. The Mae Ilex, designated as the GTF faculty work station, has programs tor composition, word process ing, desktop publishing and transposing music. It's inte grated for writers and musi cians. "Computers should be used to support things we’re doing in classes," Karpinski says. The goal of the School is to eventually network the computers and run off of hard drives. "1 hope to really expand it so theory classes will be able to use it," Karpinski says. "There are all kinds of appli cations that seem to come up as time goes on." Karpinski also writes pro grams that are useful to mu sk students and says there are many aspects to learning music. “Students need to become intuitively familiar with the grammar of music,” he says. “Technology is an impor tant aspect of any profes sion," says Stolet. "Musk isn't any different.” Last June, Karpinski and Stole! won the Mai Hi i now in the composing lab by submitting a music grant proposal to Apple Computers, Inc. I he Mac I Is i is six times faster than the Mac Plus pre viously used in the lab and also allows the operator to do direct-digital synthesis. “Computer composers de sign instruments by synthe sizing sound,” Stolet says. A composer first compos es the notes, then he bal ances the volumes and speeds acting as a conductor then he shapes the phrases like a performer, Stolet says. “It’s all-encompassing and, because it’s all encom passing, a very rewarding ex perience," he says. —Anna Rembecki