^Folkfest '90
Folk singer utilizes
an array of styles
Hall often asks audiences to
listen to a tide or join in a song
Fretless banjo, guitar, concertina and but
ton accordion are a few of the instruments folk
musician Tim Hall puts to use during one of his
concerts
Hall, who lives in Seattle, said he is equally
at home with singing ballads, sea songs, chil
dren's tunes and old time banjo ditties Audi
ence sing alongs are also part of the singer's
performances, as are bits of folklore, history
and witty commentary on current issues
Hall spent three years as a member of a
quartet called Shay's Rebellion, which spent its
time playing at peace rallies, labor union
events and folk music festivals He also played
for a season in the orchestra of Seattle's Bath
house Theater and continues to teach guitar
and banjo from his home.
Referring to his musical style of perform
ing. Hall said he thinks folk music should be
accessible to all —not just the guys with the
sound systems ."
North of the Black Sea
Husband and wife duo Ray Torley and
Joan Gaustad make up the group North of
the Black Sea, which showcases the tradi
tional vocal and instrumental music of
Russia, Ukraine, and other parts of Fast
ern Europe
Torley has performed with the San
Francisco Russian Community Balaliaka
Orchestra and the Golden Gate Gypsy
Band, among others He is proficient on
both the Russian balalaika and the dorma
The dorma, a mandolin like instrument
played with a pick, has a clear ringing
tone, while the triangular balalaika pro
duces a range of sounds almost as varied
as the human voice
Vocalist Gaustad has studied both
classical and folk voice for many years
and has performed in 16 languages
Gaustad sang for several years with
Danica Balkan Chorus and has performed
with the Khadra International Folk Ballet
as a dancer, musician, singer and vocal
director
The group has recently released a
tape of music entitled The Cossacks
Were Whistling Music for Ukrainian
Bandura and Voice.
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