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Encore!
Continued from Page 7
1 In* great mist mu I'ption is
thill people deserve il (..it
linghouse s.inl
Mike Walsh another purlii i
paling .irlisl .mil .1 1I17L! I Jniver
sIH graduate desr rilies AIDS
■is .in everyday Armaged
don
In Ins own writings Walsh
explains I find mvselt in the
innlsl ol another way remain
mg III\ negative in a world in
which promiscuous sexual lie
has mi is no longer an option
U alsli explores the i ultiii.il
iiiip.ii t ol Ml IS in Ins install.i
lion, which is siniph titled
Y.lines It was inspireil h\ the
Names l’ni|ei I All )S (Jmlt
wlinli he saw while it was ill
I’ortland last \ear
\\ alsli desi i ihes the installa
tmn as the einhodinient ol inv
sense ol sell and a tnenai ing
w oi Id I lie ( onilit ion ol being
in a universe wliii h looks at the
same I line whirnsii ally d is
jointed visually exotii hut ill
timatelv per\ else
I'he installation leatures a
canvas which is covered with
names ill men women and
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children w ho have died from
AIDS ,tiul who ,k ( circling to
Walsh have been ( ulturallv
s.ti rifu as vk lims. to vii
tunless disease In an indiffei
enl media puhlii and political
system
In I he ( enter < if the < am as a
model of the White House
hums representing govern
menl apntln mound which nr
rows strike the i anvas and tall
helween the names ol those
w ho died I he phrase "l nsale
sex death b\ AIDS' predii ts a
fragmented future ol safer and
unsafe sex
A large installation entitled
II e rr I '/1 In I )ur \r< k* In Ii IS
not easilv missed The installa
lion was created In Stephen
I lo\d and I’liil I)unn. two lot al
performing artists
The work is a structure ol
Inixes covered with media art I
i les about the AIDS epidemic
especially ones about the lac k
ol gin ei nnient interne lions
Painted words on the strale
gii ally placed boxes remind us
that AIDS is all around us
warning It's hanging over
head " knee Deep." and
I rouble Afoot
( out,oiled in a i age is a
globe suggesting AIDS isn t
lust a national issue nor can it
he ignored I he installation is
meant to lie confrontational,
and one mirages people to gel
direr tlx involved
\( mss the gallerv is a series
of Iil.ii k and white photographs
lie David Robertson, whose
tense portraits i onlront a soi le
t\ that makes null axis ol people*
living w ilh AIDS
Robertson maintains All
too often people with All IS are
shunned b\ then friends, alien
,ilcd by tlirir families .nui aban
drilled by the w orld
I hi' exhibit is not just limited
to loi ill artists Included ix a
work from Hrooklvn, \ V b\
an unknown artixt who died ol
AIDS Kven more geographical
Iv remote are the works of Sovi
el artist Main Itadolm
The live pen and ink draw
ili^s are from a series ill 1H. and
were given to W hite from Dado
lov alter he was told about "Art
X AIDS "
White said the fear ol All IS
in the Sol iet I hiion is preva
lent, where hospitals re-use
needles spreading the disease
even w ithin the walls ol the
hospital Main Soviet AIDS
i axes go unreported
Art fv AIDS'' in< hides main
other works In various artists
ini hiding Joe W avniiin, Dianne
laibank. Aimer Matlila. Hill
I ein. (illristinr- Hourdette. I Inn
Ross and others
(lutside the IS\ 11 is a w oi k
In jnlin (ihapman. dei hiring
AIDS never discriminates
The idea behind the work is
that people in their daily walks
ol life w ill one ounter the pier e
see the shadows, and realize
that lhe\ could be one ol the
figures on it
Hubb explained that the com
bmalinn ol various artists and
media is intended to ref lei t the
pluralist for.us of All IS whir h
atfer Is so mam areas ol mu
lives and addresses so many
i ultural issues
"It is important. espei ially in
Oregon where AIDS is not on
the surface a lot to make pen
pie aware that AIDS does i on
i ertl them and does after t
them .'' she said
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683-1405
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Springfield, OR
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