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Tapes & Video An Oregon Tradition” Filth * Wlilamrtfr 687-0761 Valley River Center 683-8330 Open 7 Days A Week rEUGENE’S ONLY DISCOUNT^ PAPER & OFFICE SUPPLY • Stationery and Thesis Papers • Envelopes • Copier Papers • Graphic Arts Supplies , • Office Supplies • Plus Computer and D/P Supplies •Computer Paper •Diskettes •Addressing Labels •Ribbons AapofPkv “The cash and carry store with warehouse pricing.** 345-3223 8:00 5:00 Mon-Fri 9:00-1:00 Sat 2641 W. 5th Street THEATRE '3 Guys Naked' called explosive> high-energy play Performing stand-up comedy has been compared to being ‘ naked from the waist down"'in show business. Univer sity students Richard Gray and Enrique Arias will find out how true this is as they perform in Mainstage (Cabaret's "3 Guys Naked from the Waist Down.” The play centers around the on and off-stage lives of three New York City underground-club comics. Gray said. The throe men form a team and move to lx>s Angeles to "make it big." but as a result they are caught up in the glamour of the city and have to sacrifice a lot of their material, he said. “It's basically about success, and about how each character deals with it differently." Gray said. The play, which is presented by Mainstage (Cabaret and Jim Roberts, is being performed at Seymour's Restaurant. 996 Willamette St. "I've fallen in love with that space." Gray said of Seymour's. "It's so small; you can see everyone's face.” Gray and Arias agree that performing in a play that is the product of communi ty theatre is much different than that of Photo by Boobto lo Actors rehearse for “3 Guys Naked From the Waist Down," a play being per formed at Seymour’s Restaurant. 996 Willamette St. It will run weekends star ting tonight at 9 p.m. University theatre. Many directors at the University are teachers and graduate students, and “they're learning too." Gray said. In the community, directors are con cerned about getting their product out. rather than concentrating on the direc tional and theoretical side of a play. Gray said. "There's a different education in do ing community work. It’s more of what you're going to be getting in the real world.” he said. "(Mainstage) Cabaret is really fast... we really have to put the show together.” Arias said. Another difference between the two types of theatre is the length of the run. he said. At the University, the plays are set to run at a specific time With the Cabaret, the length of the run depends on the popularity of the show, he said The play currently is set to run four weekends, with the possibility of an ex tension if the play draws large crowds. Arias said There are important differences bet ween performing comedic and dramatic theatre* Cray .said, and stand-up comedy is a theatrical art by itself. "At every look, every wince, the au dience is prepared to laugh. If they don’t, if you don't make them, you bomb." he said. In contrast, when performing in a play, actors are not as concerned with audience participation and feedback. Arias said. "Feedback from the audience is not something you worry about in that situa tion.” he said. “In stand-up comedy, it is crucial.” The success of an actor in a theatrical production is often based on bow well the actor performs. Gray said. In stand up comedy, success is determined by how well the audience enjoyed the comic's performance, he said. Because Gray used to compete on the University forensics team using comedic material, he has had some experience with stand-up comedy, he said. Arias became interested in stand-up comedy on a recent trip to Los Angeles, he said. ‘‘My curiosity was struck in L.A.." Arias said. ‘‘I admired the stand-up com ics that I saw. and t wanted to try it.*’ During the first part of “3 Guys Naked from the Waist Down." the three actors perform stand-up comedy routines. Although the routines are written into the script, they have been modified so that the actors feel comfortable w>ith them. Gray said “It s really hard to rehearse the first 30 minutes of the play. . it’s just raw com edy.” Gray said. "Unless you have an audience for feedback, it’s hard to prac tice it effectively” The play swings back and forth bet ween times when the actors are onstage doing comedy routines and when they are liackstage talking to each another. "This brings a personal side of the ac tors out to the audience.” Arias said. “This is a real high-energy show you have to be real up.” he said. "It’s explosive." The play will run Fridays and Satur days, starting this week and continuing Nov. 14-15. 21-22 and 28-29 at 9 p.m The play also will be performed Sun days, starting this Sunday and continu ing Nov. 9. 16. 23 and 30 at 7:30 p.m. Tickets are $6 in advance and $7 at the door. For students with current student I D. who purchase tickets one hour before curtain, the cost is $4. By Tonnie Dakin Animal Farm' teaches the importance of knowing history, director says (!«org(! Orwell may have had a pessimistic message in his book "Animal Farm.” but director Cray Kuhank is emphasizing fun in his production of the play, premiering tonight at 8 in the Robinson Theater. "I wanted to do the show in the style of a car toon." Eulrank said. “Even though 'Animal Farm' is about very serious subjects, it's told very, very simply, the way a child would view the world." Eighteen students play 53 characters in the pro duction "There's lots of hens and pigs and sheeps and goats and chickens and cows, and they all talk." he said. Almost everyone is ina mask, and the costumes by Nancy Juliun complement the cartoon theme. In an unusual twist, this version of the play is a musical. Kuliank describes the music as a cross bet ween early English Edwardian music hall, the Mup pels and an English hymnal. There's a lot of movement and dance in the pro duction. Considering that all the animal characters are on all fours throughout the play, choreography was a real challenge for Synnove Abrahamsen. Dancing on their hands and knees can lie rough on the actors. "I've got a lot of people walking around the department with very bruised knees right now.” Eubank said. "We've all gone through at least two pairs of volleyball kneepads so far.” actor Cole-Arthur Hor naday said. "I've got enough scar tissue on my knees to last awhile.” Eubank described the set as "Warner Brothers” cartoon style. Designer David Apple said he enjoyed the lighter tone of ‘ Animal Farm.” "You don't get to do things with strange angles very much, especially in this theater because we end up doing so many serious shows,” he said. Lee Krahenbuhl. who plays the pig Napoleon, thinks the unorthodox cartoon interpretation is ef fective. "The message of the show is so heavy that people need a break from that complete oppressiveness.” Hornaday. who plays Squealer, predicts the message will draw students. “I think this is one of the more political campuses around. I heard that more people want to come see it specifically because it’s ‘Animal Farm' because they’ve had to mad it (and) because no one else has been able to say things like Orwell has, . .Casting the story of communism in a farm with animals as a metaphor is really extreme ami very colorful." Orwell wrote "Animal Farm" as a metaphor for the communist takeover of Russia, but the message applies to any sort of totalitarianism, he said. Kuhank thinks "Animal Farm" is relevant to contemporary America. "There are an awful lot of people who think that life is beautiful all the time in America under Mr. Reagan. I think that the rest of the world looking at us from the outside might have a different view. “So I've done that with the animals in this play. As far as they're concerned, they got what they were after, and it’s only the audience that's able to see it from outside and say, 'You just got something worse than what you started with,’ ” he said. Eubank sees Orwell's message as particularly Photo by M«ri« (imraltii Pigs Snowball (Johanna Schmitz) and Napoleon (Lee Krahenbuhl) revolt against the the farmer (Stan Freitag) in “Animal Farm,” premiering tonight in Robinson Theater. applicable to students. “That's why education is important,” he said. "What happens to the pigs, to the animals on the farm is they don't learn history, they don't bother to learn reading and writing. One animal learns only to spell her name so she doesn't know what's going on. She doesn't know when she's being lied to; she doesn't remember history There will be seven performances. 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