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484*2799 • 1809 Franklin Blvd.
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HELP WANTED
UO HOUSING DEPARTMENT
Summer Cleaning Crews For Residence Halls
OUTIES:
Washing windows, woodwork, walls, light fixtures, &
sweeping, mopping, vacuuming, moving and removing trash,
trash, lumber, furniture, cleaning restrooms, shower rooms
and stairwells, making beds, doing minor maintenance, and
picking up debris outside
REQUIREMENTS:
Must be a student this spring and plan to be a student in
the fall
Must be able to report for work and stay on the job
between the hours of 730AM & 4 00PM including some
overtime
Must be able to work weekdays and weekends beginning
June 14th and be willing to be available on a call-in basis
throughout the summer
Must be able to perform prolonged lifting, bending,
reaching and stair climbing in a timely fashion
Applications for those under 18 must be accompanied by a
work permit
WAGE SCALE:
$5 35 54 73 per hour
POSITIONS AVAILABLE:
Approximately 235 seasonal part time positions
beginning June 14th Many positions will be retained for
regular work throughout the summer, however, there is
no guaranteed length of employment
APPLY AS FOLLOWS:
At Douglas Hall in the Walton Residence Hall Complex at
the corner of 15th and Agate
Residence Hall Students May 28 10AM 2PM
Family Housing & UO Students May 29 10AM 2PM
All Other Students May 30 10AM 2PM
1) Approximately 250 applications will be accepted.
2) Applications will be reviewed chronologically but
priority will be given to those with experience.
An toual Opportunity Affirmative Action Institution
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DRAMA
‘Tomfoolery’ betters with age
The opening night performance ot the
musical comedy "Tomfoolery" by Mainstage
Cabaret, produced a very uneven show The show
consists of a series of 28 skits, each inspired by
the words, music and lyrics of Tom l.ehrer
Now Tom Lehrer is a very funny, insightful
satirist. But to produce a revue of his songs that
does justice to the originals requires an impecable
timing mixed with understated, razor-sharp
delivery.
The first half of the show, presented at
Seymour’s Restaurant on the Downtown Mall,
reminded me of a bad movie from a good book. It
was stiff and lacked believability. The spoken in
tros from Ufhrer's records were reproduced ver
hatum, with an attempt at the same staeato
delivery.
The actors came across stiff and heavy. Many
of the laughs were due to the songs themselves
and not tin; performance. A bass and piano pro
vided the musical accompaniment, but the bass
was so soft that I wondered if it was merely a
prop The lighting throughout was so obvious
that between every skit I was painfully aware of
it.
The audience was packed with people who
were apparently the cast’s friends as they came
ready to howl, and sometimes a moment too
soon.
However, the thing that detracted most from
the show was the apparent youth of a couple of
the actors. Richard Gray did a nostalgic, song
about Harvard, and he looked like he barely
graduated high school. And in “She's My Girl,"
his gestures and posturing were excellent, but
Sinatra he ain't.’ Not yet. anyway.
But it’s not fair to completely tackle a com
edy on opening night. Toward the end of the set
they appeared more at ease and barreled through
the rest of the skits with passion, confidence, and
finese.
In "VVernher Von Braun" Kathleen Adams,
Linda l^Jtts. and Carolyn Magoon gave a strong
vocal performance. This trio was stunning and
delightful in all their subsequent numbers.
Maybe it was the second bloody mary kicking
in. but the second half of the show was a
pleasure. The cast lost their tentative deliveries
and interacted more with the audience. The
vocals, weak and reedy in the first half, became
strong and resonant. The timing clicked, and they
made good use of anticipation and rests.
In "I Hold Your Hand In Mine." Jonathan
Mansfield imbued a heart-shaped box of candy
Continued on Page 4B
Children better read than seen
‘’Children of a I-esser (»od." now playing in
Villard Hall’s Arena Theater is the story of Sarah
Norman and James Dseds, a deaf woman and her
speech instructor in a school for the deaf.
The drama raises the intriguing question of
whether a "handicap" is necessarily a disadvan
tage. Debbie Duron plays Sarah Norman, a
26-year-old deaf woman who still lives at the
school for the deaf and works as a maid.
Sarah refuses to learn to speak and will com
municate only with sign language. She is a very
proud woman, and is worried about the way she
will look if she tries to speak.
Mark Kuntz plays James I^eeds. a young,
former college radical who has come to the
school to teach the deaf how to speak. He is in
troduced to Sarah and is dumbfounded to learn
that she has no desire to learn to speak.
James begins to doubt his own motives as a
teacher, meanwhile he is trying to learn more
about Sarah so he can convince her to learn to
speak. Instead, he falls in love with her
individuality.
The script of "Children” contains enough in
teresting twists and enough clever and funny
dialogue to be entertaining. But it would be more
enjoyable reading the script on a cold, rainy even
ing alone by a fireplace, than it would be seeing it
performed on stage.
Not that the performance is less than fine.
The University Theatre “Second Season” presen
tation. directed by Nancy Larsen, is fine, but the
challenge of producing this play is minimal
Nothing is gained by seeing actors on a stage tell
the story of Sarah Norman, over reading the story
Continued on Page 4B
quietly crashing,
green cathedrals crowned with
clouds
submit to the blade.
— Linda Hahn
Forest ‘cathedrals’ honored
He can echo the sound of howling wolves with
his saxophone, use whales as backup musicians, and
imitate the wind.
Paul Winter, who has performed his improvisa
tional "earth music" everywhere from the Taj Mahal
and the Grand Canyon to St. John's Cathedral, is
now set to play another kind of cathedral — Pyramid
Creek, a forest area east of Sweet Home off Hwy. 20.
Environmentalists, including the Cathedral
Forest Action Group (CFAG). consider the SOO-mile
forest that extends from California's northern red
woods to Washington to make up one large
"cathedral" of old-growth trees.
CFAG invited Winter and Friends, to the Third
Annual Memorial Day Gathering which will include
music by eight groups, workshops on old-growth
forests and hikes through the area.
Workshops will focus on forest ecology, civil
disobedience, edible plants and wildflowers. The
guided hikes will provide information on zoning
and on "who controls the land." says Mary Beth
Nearing, a CFAG member.
Performances include a varied group of
environmentally-conscious musicians including
Eugene's Liv and Let Live, and Oregon artists Don
Skinner. Cecelia Ostrow, Sunny McHale
Skyedancer.). Cristian Miller and Linda Schierman.
Jim Scott, former composer and guitarist with
the Paul Winter Consort will reunite with Winter
after touring Central America with Holly Near. Vic
LightSmith. a dramatist, will perform works of con
temporary women writers.
All music and speakers will be on Sunday while
workshops and guided hikes will begin on Saturday.
Monday will be a day of hiking.
The gathering can be found by going east on
Hwy. 126 and then turning west onto Hwy. 20 at the
Salem/Albany junction before Sisters. Head toward
Sweet Home on Hwy. 20 and then turn right onto
Forest Service Rd. 2041 |ust past Mountain House.
Pyramid Creek is down this service road on the left.
A $4 donation will be accepted. For more infor
mation call 683-1699.
Story by Shannon Kelley
Photo by Sally Schoolmaster
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Thunderbirds rock the Hult — Texas-style
Despite th« geographic differences. The
Fabulous Thunderbirds' Texas-style of hardcore
rockabilly that tiKik rtKJt in Antone’s, Austin's
legendary rhythm 'n' blues bar. brought an en
thusiastic Eugene crowd to its feet Their romp
ing sound rose the regal rafters of the Hult
Center a notch or two Tuesday night, giving
Silva Hall the appearance of being a wild,
hoedown at the OK Corral rather than a place for
- MtMWI
sophisticated symphonies.
jimmy Vaughan’s gutsy guitar riffs bounced
off the vibrating walls and got the captivated
crowd gyrating to the T-birds stiletto-sharp tim
ing deeply entrenched in an irresistible bump
'n' grind beat. Kim Wilson's bold vocals and
sensuous harp solos kept the audience in a
delirious frenzy of delight.
The only thing that marred the Fabulous
0+ ..
Thunderbirds' first Eugene performance was the
underlying knowledge that all good things must
come to an end. But as Wilson said after a robust
round of appreciative applause. "By the looks of
how things are going tonight, we hope to return
here soon."
loot's hope the wait isn't too long because
the Hult Center needs a little more rockin' to get
their budget rollin'.
BAMM m
CHINESE
REST A (.IRAN I
Oriental Buffet Lunch
Downstairs
G Try Our Dinner
Upstairs
Hours: Downstairs
M Th I I 00 7 00. F Sa I I 00 4 X
Closed Sundays
Hours: Upstairs
Su Th 4 30 10 00
FSa5 00 10 30
1275 Alder Street • 68 ) 8886
SECOND
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446 E. 13th Eugene 343-5362
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Coupon expires 5/29/66
JAMIE’S, j
2445 mtyard ‘>t M2 2206
1810 Clwnhof> 5t 545 0485
Eugene Oregon 9/405
JB
KEEP THAT
' SPRING
TAN!
Oregon West
---FITNESS --
Saying good-bye can be
oh so difficult
sometimes
This year make it easy,
make it fun, make it
stupid, so you won't
really be missed Make
it last with ODE s
PUTTING
suers
Special year-end
“Good-bye” section of
The ODE Classifieds.
Parting Shots will be
published on June 9.
15 words/$2
Watch for details.
L,*WFni"'MW!iy hiiphum ... nr 1 miif r.m*innixrui: rnf^ryiin fwryT.wwaiH UPC*
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Oregon D-i,;, Kmiir*id QDE u»«lh> 1-^iiv Em^raLl ODE i Eintr^kl CiTiF.