Oregon daily emerald. (Eugene, Or.) 1920-2012, October 19, 1984, THE Friday EDITION, Page 3B, Image 15

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    WRITINGS
Nuclear peril: literary images
Warnings: An Anthology
On The Nuclear Age
Edited by John Witte
Northwest Review Books
With literary
and visual im- !
ages, “Warn
ings: An An
thology On 1
The Nuclear
Peril’’
presents the spectrum of
thoughts and emotions that
have risen in this century under
the threat of nuclear
destruction.
The book's poetry, art, fiction
and essays represent the com
bined talents of more than 40
writers and artists. The collec
tion includes works by promi
nent authors such as Ken Kesey,
William Stafford and Ajan
Dugan, and an interview with
poet Gary Snyder.
Street photography, three
dimensio’nal painting and con-"
'• ceptuafart are some"of the styles
used by. the contributing "artists
to illustrate their perceptions of.
nuclear anxiety.
' [“Eight Photographs.’’"shot by •
Marly- Stone, during’ an anti- *
nuclear rally in New York City,
' ' is a series of photos that have
been painted, pencilled; bleach
ed, and burned around the '
edges, giving them a sur
realistic quality.
Throughout the concrete
poetry.- the comfortable, civiliz
ed world .of flowers, animals
and baby, strollers decorated ]
with "Greenpeace,” “Save the
Whales” and “No Nukes”
(from Michael David
Madonick’s “American Spr
ing”), are starkly contrasted
with the vivid horror of nuclear
explosions and their
aftereffects.
r—'
I he fallacy a! human om
lipotence and ethnocentrism is
lummarized in the last couplet
)f Richard Eberhart’s
‘Testimony”: “We wanted to
ook in the eye of God / We got
iix feet of radioactive sod.”
Through the use of graphic
mages and symbolism, as ex
:mplified in James Bertolino's
‘The American,” the poetry of
such writers as Ray Young Bear,
Geraldine Little, Madeline
leFrees and Ralph Salisbury is
»ble to express almost inex
pressible fears.
The questions and concerns
jf the nuclear age are put forth
in several diverse short stories,
ft.ID. Skilling’s “Sunday Morn
ings” deals with social changes
from pre-nuclear times to the
present and the ensuing
emergence of a world that is
more nightmarish and
gruesome. '
:‘‘X.-Day,” by Marie Luise
Kaschnitz, probes into the
thoughts .of a woman who
knows it is the last day of her
family’s.• and her - world’s,
existence.
The essays examine some of
the. current intellectual ap
proaches to the nuclear peril.
"Something. For Our Poetry,”
by John Haines, looks at the
relationship of politics to
writing, and Robert Mielke’s
“Imaging Nuclear Weaponry:
An Ethical Taxonomy of
Nuclear Representation”,
discusses nuclear discourse and
magery in fiction, film and
elevision from the 1950s to the
present.
Through these essays runs the
jnderlying theme, that society
must shake off its apathy and
jecome more conscious of the
implications of nuclear war.
In Phil Woods' interview
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with Uary bnyaer, some ot
which was recorded at the
University in 1983, Snyder
comments on the vast dif
ferences between modern in
dustrial civilizations and the
pre-literate cultures which were
much closer to natural pro
cesses. He also addresses the
necessity of deeper self and
social awareness in order to
avoid complete destruction of
Earth.
“Warnings” contains modern
anti-nuclear literature and art
work of excellent caliber,
created by some of the most
talented artists and writers in
the country. More than an an
thology,. it is a creative social
statement that speaks to the
greatest of all crises.
Lori Stephens
^Advert isemenl —
YOU CANT GET TORE (BURTON'S RESTAURANT)
FROM HERE (U. OF 0. DALY EMERALD OFFICE)
• • ^
Every fall the Daily Emerald publishes a feature on the restaurants in
the campus area with a mild critique on the food and the prices...an ad
mirable service to the incoming freshmen.
' A commendable effort, certainly, on the part of the editors, releasing a
team with youthful hubris rushing into the breach to provide knowledge
to the innocent palate.
However, as the proud owner of a restaurant which is not much fur
ther from the Emerald office than an outstanding tee shot by Jack
Nicklaus, a restaurant which has been in operation for many years and
has hundreds of regulars, including faculty and students, I was shocked to
read the article and find no mention of Burton's At-The-Campus
Restaurant!
The first inclination was to jump into the swampland of paranoia, to
get on the phone to the powers that be and claim discrimination, pre
judice-even the lack of editorial integrity. I did check my accounts
payable and discovered that my advertising bills to the Emerald were
paid in full.
Also, since r hired students only to work at Burton's, and have placed
over 100 students on the payroll in the past four years, I figured my in
dividual public relations could not be in question, k
Perhaps, in their anxiety to do a good job. Emerald reporters, like hum
mingbirds ecstatic in a field of daisies, buzzed around the fast-food
eateries, overlooking the Bird Of Paradise in the centfer.
However, calm reflection of the omission came up with a simple
answer. The reporter(s) that had the responsibility for the general roun
dup of restaurants in the area simply was not aware of the location. This
obviously was my failure, and I seek to correct it now.
To say that Burton's is sandwiched (what other verb could I use?) bet
ween KINKO'S and KAUFMAN'S will not necessarily pin point the location.
Or to give the address: 854 East 13th St.
More specific directions are obviously called for. Incoming students
cannot help but notice Taylor's Tavern across from the University
Bookstore. Thus, if you roll a bowling ball West, past the Red Rooster
barbershop, and jog (killing two birds with one stone) along the ball for
nine seconds, and then veer sharply to the left, you'll plunge through
Burton's front door.
Or, if you are at Rennie's, another popular tavern, and watch a crow fly
due Southwest at an approximate angle of 45 degrees, you can look
down and see Burton's overhanging sign.
And, if you leave the Seven-Eleven at the corner of Alder and 13th, and
walk East just 84 paces you will be there. This varies slightly as to the
length of the pedestrian's step.
Or, better yet, if you are in front of the University Bookstore, you can
actually toss one of those over-priced used textbooks, again Southwest,
and perhaps hit Burton's window Michelob beer signs.
Last, if you are in front of the Kona Cafe, another fine restaurant, and
you have legs like Carl Lewis, you can take a flying leap across the street
and EUREKA! There is Burton's.
There. It's not exactly like finding a needle in a haystack, but I hope I've
helped. The phone number is 342-2241. Just call, and next time I'll send a
taxi for you.
FOR LADIES ONLY
-fJoawotrfiu——
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FifthPearl Bid. 207 E. 5th Ave. • 686-9009
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