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CONSTITUTION
COURT
ASUO's busy Constitution
Court met in closed session
Wednesday to discuss briefs
presented by the ASUO Executive
and the Incidental Fee Committee
and to decide on a recommenda
tion made to the court by a hear
ings officer.
The ASUO Executive has asked
the court to rule a recently
adopted IFC resolution
unconstitutional.
The resolution at issue says, "if
the conditions set forth for the
release of allocated incidental fees
are not being met, the IFC
reserves the right to freeze a pro
gram's accounts."
But that is an encroachment of
the executive's duties, says the
ASUO's complaint.
Flowever, the IFC says the
resolution is "supplemental" to
the Executive's duties. "When the
executive fails to act, the respon
sibility logically falls to the IFC to
do so," says the IFC brief.
The IFC says its resolution is
constitutional because section 6.7
of the constitution states the IFC
"shall clearly and fully set forth
conditions which must be met"
before money can be released.
But the ASUO Executive says the
resolution is unconstitutional
because "the power of the IFC lies
in, and is strictly limited to, the
allocation of incidental fees.”
The constitutionality of the
resolution now depends on the
judgment of the court. Court
Chair Alan Contreras says the
court should release its decision
early this week.
In other action, the court
adopted the recommendation of
Joseph Hollander, a court hear
ings officer, that University stu
dent Tom Birkland be allowed to
maintain his positions on three
ASUO programs provide Birkland
adhere to four provisions.
Hollander's recommendation is
that Birkland abstain ftom confir
mation votes concerning IFC
members and EMU Board
members, play no role in matters
before SUAB concerning ACLU or
PSSU and not represent ACLU or
PSSU before SUAB.
IFC
After lengthy discussion, the
IFC voted 6-1 Wednesday to take
$300.01, with $121 on reserve.
from unallocated funds to help
finance the next publication of
The Dissent, the law student's
newspaper.
The ASUO, through finance
director Bill Hallmark, recom
mended not to release the funds
because the group had depleted
its budget in its first issue and
because it felt there are less ex
pensive alternatives to publish the
paper.
Committee member Sheila
Schain voted against the release.
Representatives of the paper
said costs exceeded expectations
and some funds are in dispute
with the Oregon Daily Emerald
production section, which pro
duced the first issue.
The committee also moved $495
from the assistant director ac
count of Off Campus Housing to a
work study account so more peo
ple could be hired to staff the
group's phones.
Also, the committee released
money in the ASUO account ear
marked to finance a Central
America symposium later this
month and recommended the
ASUO return if it needs funds to
cover an expected deficit.
Artist's sales aid Eugene ballet
By Michele Matassa
Of the Emerald
The Eugene Ballet Company
may receive up to $T0,000 in pro
ceeds from an art exhibit by a
South American artist who ap
peared in Eugene this weekend
for the first time, says the owner
of the local gallery displaying her
work.
Graciela Rodo Boulanger, who
has "always been very inspired by
ballet for my work," designed a
poster especially for the Ballet,
then donated all proceeds from
poster sales to the dance
company.
She also donated 20 percent of
proceeds from local sales of her
other work, said Vincent
Cassanetti, who travelled with
Boulanger’s publishing company
from Connecticut for her opening
exhibit Friday.
So far, proceeds for the ballet
company have topped $18,000,
says Joel Donohue, owner of
Original Graphics Gallery, 122 E.
Broadway, where the work is on
display. Donohue expects that
figure to reach $30,000 by Dec. 10,
the end of the exhibit.
"It has been very successful. To
have an artist of this caliber come
to Eugene, Ore., is unusual. She's
never been to a town this small,"
Donohue says.
Next, Boulanger will travel to
California for shows in Los
Angeles and San Fransisco.
Donohue says the ballet com
pany will use the revenue to put
together a traveling dance troupe
and to regulate its pay schedule.
“Right now, the ballerinas are
paid when there is money,"
Donohue says.
The arrangement between
Boulanger and the ballet company
stems from her interest in ballet
and her long-standing relation
ship with Original Graphics
Gallery, Donohue says.
The gallery represented her for
15 years before any one "knew
who she was," he says.
Boulanger also illustrates "musi
cians and everything which is the
children, the animals, the games
they play," she says.
These themes grow partly from
Boulanger's relationship with her
two daughters, age 17 and 20, who
are active in ballet and facial
design.
Boulanger works out of Paris
and New York City, sometimes
producing as many as 20 oil pain
tings and six or seven graphics in
one year, she says. She holds an
average of four shows around the
country in one year.
She also played the piano pro
fessionally but chose painting as a
full-time career because "you are
more creative. It's different just to
play (in an orchestra) with others."
Corner 13th4Hilyard
rose from the now
Sacred Heart addition
2L
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