Oregon daily emerald. (Eugene, Or.) 1920-2012, September 30, 1983, Section B, Page 8, Image 23

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    * •
Local galleries offer
Eugene may not have a Gug
genheim or a Louvre, but that
doesn't mean there aren't quality
art exhibits and museums in the
city.
One doesn't have to travel to
New York, Paris, or for that mat
ter, very far away from campus to
partake in a visual and aesthetic
feast. There are many exhibits and
museums on campus, and others
within walking distance.
That big brick building in front
of the library that many people
walk by hundreds of times during
the year, never bothering to see
what's inside, is the University
Museum of Art.
Don't make the same mistake.
This museum is the closest thing
Eugene has to the major art
museums in large cities, with its
various galleries and rotating ex
hibits. It's a nice place to slow
down and forget about classes or
work.
i
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Friday, Saturday, Sunday
Sept. 30 - Oct. 2
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In the center ol the University
(Located in the EMU Breezeway)
13th flr University
This Edo period doll from Japan is part of the extensive permanent col
lection of Oriental Art at the University Museum of Art.
The main exhibit from Oct. 2 to
Nov. 6 is "Decoding Dragons:
Status Garments of the Ch'ing
Dynasty." These colorful
garments, of which about 100 are
being shown, represent a dynasty
spanning from 1644 to 1911.
The exhibit is in the lobby and
main floor of the museum, which
is free and open to the public
from noon to 5 p.m., Wednesday
through Sunday.
Historical ambience mixed with
modern visual art gives the Maude
Kerns Art Center its charm.
Located in the oldest church
building in Eugene, the center is
on the corner of 15th Street and
Villard, a short walk from campus.
The center has three galleries
which all change exhibits each
month. Showing until Oct. 15 in
the Henry Korn Gallery is "New
Work: Old Potters,” which
features noted area potters. Also
on display are pastels and draw
ings by Ann Baldwin, and
photography by lack Liu.
Maude Kerns is open Tuesday
through Friday from 10 a.m. to 5
p.m. and Saturday from noon to 5
p.m.
Back on campus, there are some
smaller galleries that regularly ex
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fine feast
hibit different artists. Two are
somewhat well-kept secrets, stuck
away from the main campus traf
fic. One is right in the thick of that
traffic.
Aperture photo gallery is
situated amidst the busy intersec
tion between the fishbowl and the
Fountain Court Cafe in the EMU.
Whether someone just gives it a
sidewise glance or an extended
study, the photography is always
interesting and certainly helps to
break up the monotony on a wet
and dreary day.
The Faculty Club is thought of
as a place to eat, but it also hosts
an art exhibit each month.
Local watercolorist Ellen
Cabehart, a teacher at Maude
Kerns, will display her work from
Oct. 3 to Oct. 31. Gabehart's pain
tings are known for their layered
effect, with different images
overlapping eachother.
The Faculty Club art gallery is
open from 9 a.m. to 3 p.m.
weekdays and from 8:30 to noon
on Saturdays.
Gallery 141 in Lawrence Hall
holds many different exhibits in
the room the gallery was named
after, 141. The small gallery is
mostly for art students who are
showing their first exhibits.
Were searching out talented
graphic artists, cartoonists and
photographers who are interested
in having their work used in The Fri
day Edition, the Oregon Daily
Emerald's weekly entertainment and
arts newsmagazine.
We're also looking for people who
can write with some originality and
knowledge about film, dance,
classical and jazz music, the visual
arts, theatre and/or books.
All work will be hired out on a
freelance basis, and much to many
students' and community members'
surprise, will be compensated for
monetarily when printed.
This year's arts and entertainment
supplement promises to be a visual
ly and verbally interesting one; the
more talent the better. Contact
Angela Allen Morgan or Kim
Carlson at the Emerald.
note
Country
Continued from Page 6B
gives them the freedom to do
what they want. If you're doing
rock you're pretty limited. You
have to have a tunnel-type view to
please the teenagers. They can
turn you off so fast you don't
know what happened."
Bosche agrees with the argu
ment that rock music is mired, to
the point of wallowing, in an
adolescent angst. But unlike rock,
country music is primarily about
adult situations.
"You can turn on our radio sta
tion... and say, 'I understand
what these people are saying.' The
words they are singing are about
everyday things — about happy
and hurt," he says.
The Silva Hall audience stands
and applauds Don Williams’ final
song of the concert. Williams
waves and leaves the stage. The
audience continues to stand and
applaud, they want Williams to do
an encore, but they don't demand
it in the way a rock music au
dience would stomp and chant
"more.. .more."
Williams returns to the stage
but not for an encore. He waves
his cowboy hat and slips
backstage. The applause dies
down and the audience, amid
calm but not disgruntled murmur
ings, files out of the hall.