FOR PLAY
Continued from Page 5E
without shutting out the audience or the
other actors."
For Play's members have learned to do
just that. They use ordinary gestures,
statures, and tones-of-voice to get laughs.
They are comfortable with what they do
and use no acrobatics, bizarre costumes, or
other gimmicks to help them win
audiences.
For Play's main venue is Sheli's (former
ly Burton's) on 13th across from the Univer
sity Bookstore. The atmosphere at Sheli's is
casual cabaret, with lots of audience par
ticipation. Says Katha, "Sheli's had never
done anything like this before, but they
really opened their doors to us. I think that
in the future Sheli's will be a good source of
cabaret theatre."
Beer is cheap and admission to the
show is only $2. For Play is booked at Sheli's
on Friday September 30, at 10:00 p.m., and
later on in the Fall.
The group also performs occasionally at
Perry's On Pearl at 959 Pearl Street. Watch
for posters around campus and around
town with details of For Play's performance
schedule.
Some of For Play's members have been in
volved with University Theatre. From left,
director Katha Feffer hams it up with Todd
Hermanson, Mike Maples, Dan Conroy,
Melanie Leslie, Angela Masters, Suzy
Owen and Vicki Walker.
Continued from Page 11E
‘Gee, that might be a good idea,
interview this band.' We had no
idea what we were doing."
There are some disap
pointments.
"We didn't get iggy (Pop)/'
Sherman says. "I think he was in a
bad mood."
Sometimes the Mono-ettes have
found wielding a video camera as
much of a liability as an asset.
"Sometimes we attract too
much attention," Sherman says.
"Like with Dead Kennedys and
Bowwowwow," Wilder says,
"everybody saw the camera and
they wanted to be on there. They
were practically pushing
everybody out of the way to get
on the camera."
According to Sherman, "as soon
as we turned off the lights and the
camera everyone just kind of
dispersed."
"One time I asked Paul Collins
of the The Beat what else he likes
to do and he jumped on me...
and Pam," Wilder says. "It really
startled us. It turned out to be
kind of funny."
Viewers response isn't always
positive and the Mono-ettes aren't
sure how to handle the criticism.
"We get some criticism from
people who say 'you're so un
professional and your equipment
is so bad' and this and this," Sher
man says. "And Maija will say 'If
you don't like it do something bet
ter.' It's so easy to criticize when
you're sitting on your big fat butt.
Let's see what you can do. Do
something, except criticize. It
does hurt, though."
"The show is not polished, not
commercial like ABC. That's kind
of neat," she adds.
The Mono-ettes are not for pro
fit and pay the show's expenses
out of their own pockets. The cost
of video tape alone c«in get very
expensive. Still, they don't envi
sion going all-out for profit.
When we start making money on
it!!! then it starts being something
else, ' Sherman says.
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