Oregon daily emerald. (Eugene, Or.) 1920-2012, April 14, 1982, Page 6, Image 14

Below is the OCR text representation for this newspapers page. It is also available as plain text as well as XML.

    McKay’s Open Pantry Delicatessen
FEATURING
Broasted Chicken - by the bucket or the piece • Party trays made to order • Fresh
home-made pizza • Fresh bagels and pocket bread • San Francisco style sour dough
bread • 31 varieties Imported and Domestic cheese • 35 varieties lunch meat and
sausages • Full line salad bar • Hot food to go • Fresh sandwiches made daily
Hot or cold, Imported or Domestic foods with old-fashioned service — S &■ H Green
Stamps. Too!
1960 Franklin Blvd.
Eugene
343-6418
Open 8 am to 8 pm daily
655 W. Centennial Blvd.
Springfield
747-3004
-emu
Cultural Forum presents
An evening of True Rockin' Blues
Rounder Recording Artists
THE
LEGENDARY
BLUES BAND
Formerly the
Muddy Waters Blues Band
Featured in The Blues Brothers Movie
1978 White House Performance
Tours with Clapton RoHmq Stones. Dylan Johnny Winters
WED. APRIL 14th 8 pm
$3°° Students $350 General Public at the door emu Dining Room
DID YOU GRADUATE FROM AN
OREGON HIGH SCHOOL?
Counselors from many of Oregon’s high schools will be on campus
tomorrow, Wednesday, April 14, 1982, to interview their former
students. Interviews will be held in the Erb Memorial Union Ballroom
area. The counselors from the schools listed below are anxious to talk
with any of their former students who are now enrolled at the University,
regardless of class standing. If your high school will be interviewing,
why don’t you take a break and go to the Ballroom to talk with them?
They’ll enjoy seeing you again!
High School
Time
High School
Time
Aloha
Banks
Sam Barlow
Churchill
Clackamas
Clatskanie
Columbia
Corvallis
Cottage Grove
Crater
Crescent Valley
Gladstone
Gresham
Hillsboro
Andrew Jackson
Junction City
Klamath Union
Lake Oswego
Lakeridge
Lebanon Union
Lincoln
McKay
McMinnville
1:30
1:30
1:30
1:30
1:30
1:30
1.30 -
1:30
1:30
1:30
1:30
1:30
1:30
1:30
1:30
1:30
1:30
1:30
1:30
1:30
1:30
1:30
1:30
3:00
3:00
2:30
2:30
3:00
3:00
2:30
2:30
3:30
3:30
2:30
3:30
3:00
2:30
3:00
3:00
2:30
3:30
2:30
2:30
2:30
3:00
3:00
McNary
Madison
Marshall
Marshfield
Mazama
Milwaukie
Newberg
North Eugene
North Salem
North Valley
Oakland
Oregon City
Rex Putnam
Roseburg
Scio
Seaside
South Albany
Sprague
St. Helens
Thurston
Willamette
Willamina
1:30-2:30
1:30-2:30
1:30-2:30
1:30 - 3:00
1:30-2:30
1:30 - 3:00
1:30-2:30
1:30-3:00
1:30-3:00
1:30-2:30
1:30-3:00
1:30 - 3:00
1:30-2:30
1:30-3:00
1:30-2:30
1:30-3:00
1:30-2:30
1:30-3:00
1:30 3:30
1:30 - 2:30
1:30-3:00
1:30-2:15
Sit down....take a load off your feet...with an ODE
Siegel sounds good
“Dan Siegel"
Dan Siegel
Elektra Records
Like all albums. "Dan Siegel"
has its ups and downs In this
case, mostly ups
Siegel, Eugene's fusion
whirlwind, explores many tex
tures of jazz-rock in this, his
fourth album He brings a nice
laid-back feel to the mellow
numbers and an energetic vita
lity to the hotter tunes All the
cuts share the strong melodic
thread that characterizes
Siegel's music
This is Siegel's first album on
a major label (his earlier albums
were on Inner City), and the
added bucks for studio mu
sicians really pay off Guitarist
extraordinaire Larry Carlton sits
in for three songs, each of
which is a highpoint of the
album
“Great Expectations" and
"Touch and Go" are almost too
melodic. They both feature a
Doobie Brothers-type rhythm
line, and at times sound
somewhat like the current Ken
tucky Fried Chicken jingle
Nevertheless, they're full of
restrained energy and have a
nice bouncy feel to them ("It's
easy to dance to; I'll give it a
75 Dick").
"Enchanted Forest" is an ex
pressive piece which got stuck
in my mind all week It features a
drawling guitar melody over a
syncopated background, and
seems overly staid after the first
listen Had the guitar line been
played an octave higher it would
have given the piece a little
more power, especially with
Carlton's tricks and talents De
spite this weakness, the piece is
highly infectious, remaining
with the listener long after the
stylus lifts off the vinyl
A couple of the tunes sound
like perfect candidates for
background music for the
What's Happening" blurbs on
local TV stations, where a mel
low flugelhorn plays over a
background of piano and
percussion while shots of a
coastal sunset go by Thankful
ly, Siegel adds some superb
keyboard solos and keeps the
songs from getting too
predictable, and the tunes work
The best cuts on the album
are the last two. "Passing Time
is an off-beat fusion number
with a nice sax solo and excel
lent drum work This is Siegel's
least restrained song, and rivals
Jeff Lorber's best "The Con
queror" opens with a lush
overlay of string synthesizers,
then goes into a (slightly repeti
tive) guitar line Eventually it
changes gears into a driving
shuffle beat, and Carlton takes
off with some impressive guitar
licks Through it all, the song
has a strong sense of emotion
and heart, and is a joy from start
to finish
Siegel has a toned-down
keyboard style, giving fewer
flashy solos and more solid
background tracks than other
keyboardists When he does
take a solo, it's restrained, yet
pounces up and down the
keyboard with whimsy and vita
lity Siegel's time has come, and
this album proves it.
by matt mayor
Bonofff
fading?
“Wild Heart of the Young”
Karla Bonoff
Columbia Records
"Wild Heart of the Young” is a
good album compared to other
current releases, but is a sig
nificant step down from some of
continued on page 8b