Oregon daily emerald. (Eugene, Or.) 1920-2012, October 28, 1981, Section B, Page 8, Image 15

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"The French Lieutenant's
Woman' is a finely-crafted
tapestry, weaving together the
past and the present Through
careful use of cross-cutting,
these story tenses remain dis
fmty. jtftt’eniquely intertwined
{j tnfhepast Meryl Streep plays
Sarah, a mysterious Victorian
Itroman whose rumored affair
with a French officer causes her
to be outcast from the com
munity Jeremy Irons plays
Charles a man who becomes
obsessed with finding the
secrets behind Sarah's strange
mourning In the present. Anna
(Streep), is an actress playing
the role of Sarah, and Mike
(Irons), is her leading man
The screenplay, by Howard
Pinter, combines strong
elements of romance and
suspense as Charles unravels
Sarah's story and falls in love
with her The same elements are
repeated as we see Mike and
Anna s relationship begin with
an affair and slowly change
Director Karel Reisz manages to
strike a perfect balance
between romance and
suspense
Although other movies have
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utilized cross-cutting between
stories to enhance suspense
and drama, none has worked as
well as "The French
Lieutenant's Woman " The
honesty and humanity of the
actors lives poses a sharp
contrast to the flowery images
seen in the Victorian scenes
The result is that the audience is
drawn into the story experienc
ing every nuance and image
that offers
The two stories are brought
together as Mike and Anna
subtly bring elements of Charles
and Sarah s relationship into
their own This twist is brought
to a climax when, at the close of
the film Mike calls out to Anna,
and mistakenly shouts Sarah's
name instead
The acting in "The French
Lieutenant's Woman" is
impressive Streep handies her
roles with grace and con
fidence Irons, a newcomer to
the screen, shows immense
promise as he flaunts his way
through his parts with a barely
restrained power, and a
remarkably relaxed intensity
Fine cinematography en
hances the eitire movie, and
hauntingly beautiful images
abound The background shots
of England are perfect nicely
lush, yet believably plain in all
the right places
Although "The French
Lieutenant's Woman isn't the
epitome of romantic films, it
attempts a difficult feat, and
succeeds with remarkable re
sults In writing, acting, direct
ing editing and cinemato
graphy, "The French Lieuten
ant's Woman" is an experiment
that succeeded
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