Creative theater class inspires kids A gesture is worth 1,000 props - Dramatist shuns trappings Photo by Tom Wolfe The story-telling over, University students from Rosa Marquez's “Creative Drama" class lead Hamlin Junior High students in a follow-up exercise where they pretend to be earthworms. Earlier they were birds, fish and mute humans. Marquez says her theater techniques can be used to teach students about traditional school studies in addition to theater. I Mr f'' W i all right to your home. For the most exciting, dynamic source off entertainment around, CALL 484-3006 NOW. Now that's television! TELEPRORIPTER HMM1W7 CAU. W-UU MOW! By TUM WULrE Of the Emerald Using theater to encourage social and academic develop ment in children is one innovation of the art, but not the only application Rosa Marquez pursues in her non-matriculating “Creative Drama” class offered at the University. Marquez and her students practice “poor theater”—working without aid of costumes, set or a stage. “We are process-oriented and use our bodies as the tool to express a story,” explains the instructor. The heavy reliance on bodily expression is similar to mime, but with some variation. Sometimes the actors replace word dialogue with a random utterance of numbers that convey the tone and form of speech without letting actual words interfere. Several of Marquez’s creative drama students are theater majors trying to enhance their acting skills, but many more are education or recreation majors hoping to use drama as a teaching tool. Marquez says she finds drama an engaging activity which can be used to relax people and loosen inhibitions especially in junior high or high school students. “Through life most of us wear a mask, or have some pattern of behavior we fall into. Creative drama can help students de velop another side of themselves." “Many times we stifle kids and don’t allow them to express themselves — drama techniques encourage an openness which can still be controlled by someone leading the group,” she says. Marquez believes the dramatic techniques she teaches can be used as a tool for teaching subjects as diverse as history, math, sciences and language: “You can have kids act out histori cal events or develop a cell model using students as the parts. This way students can take an active interest in the subject through their own involvement,” she says. In addition, Marquez finds that creative drama integrates the arts—music, dance and mime especially—while providing good exercise. Marquez plans to continue her course next term and will offer it Saturday mornings as a non-matriculation course, Theater 407G.