HARMONIKER
■v
By STEVES/NOV/C
The School of Music and
campus McDonald's are spon
soring "McDollar Day," which will
provide music lovers with both
food and entertainment by
University School of Music
groups on June 1, from 1130 a.m.
to 4:30 p.m.
The School's Barbershop
Quartet, the Rock Choir, the
Stage Band and several other
groups will perform at the campus
McDonald's, located at 1417
Villard. A "McDollar" entitles the
holder to a dollar's worth of food
at McDonald's plus the af
ternoon's entertainment. Before
the event, people may trade
dollars for "McDollars," available
from students of the School of
Music.
"McDollars are redeemable June
1 from 10 a.m. to 1 p.m. The
proceeds from the fund-raiser will
go to the Music School's tour
fund.”
Marcy Lohman will give a flute
recital tomorrow evening at 8 p.m.
in the Recital Hall. And on
Saturday afternoon at 4 p.m.
Curtis Holloway will sing a voice
recital at the Recital Hall.
Janet Lien will be giving a flute
recital on Sunday at 2 p.m. in
Gerlinger Lounge. Highlights of
her program will include J. S.
Bach's "Sonata No. 5 in A
minor," Henri Nutilleux's
"Sonatine,” and a contemporary
piece by Edgar Varese entitled
"Density 21.5.”
Also Sunday at 2 p.m. Melvina
Bartels will be giving an organ
recital in the Recital Hall. Ms.
Bartels will perform the "St. Anne
Prelude and Fugue in E flat
major,” by J.S. Bach; Francois
Couperin's "Mass for the Con
vent's," and "Suite on the First
Tone,” by Jean-Adam Guilain.
Richard Long and friends will be
giving a bassoon recital Sunday at
8 p.m. in the Recital Hall.
Highlights of the program will
include Eugene Bozza's
"Divertissments for Three
Bassoons,” Richard Keiser's
"Aria from Octurian for Soprano,
Five Bassoons, and Continuo,"
von Weber's "Andante and
Rondo in C-minor for Bassoon
and Piano,” and a contemporary
piece by Elliot Schwartz entitled
"Aria No. 4 for Bassoon and
Electronic Tape." Joining Long
will be Peter Bergquist, Helen
Hoff, David Hattenhauer, W.
Bryce Troy (bassoon); Dorothy
Bergquist (soprano); Barbara
Myrick (piano); Larry Clabby
(harpsichord), and Neal Werner
(tape recorder).
Sunday at 8 p.m. in Gerlinger
Lounge, Robert Meadows will
sing a voice recital.
Tuesday, Stephen Russel will
play the organ in a 12:30 p.m.
concert at the Recital Hall.
Highlights of this program will be
two contemporary pieces by
Jehan Alain, entitled "Littanies”
and "Suspended Gardens,” and
J.S. Bach's "Fugue on the
Creed."
Tuesday 8t 8 p.m.. Terrence
Handler will play the cello for a
student recital in the Recital Hall.
Marcia Park will play the harp for
a student recital at 12 noon
Thursday in the Recital Hall.
Highlights of the program will
include "Prelude and Tocatta" by
Handel, "Three Bagatelles" by
Norman Dello Joio and Park's
own composition entitled "The
Children."
On Thursday at 8 p.m. the
University Symphony Orchestra,
under the direction of Lawrence
Maves, will be in concert.
Highlights of the program include
Samuel Barber's "Violin Con
certo," featuring Roy Mann,
violin, and the "Eighth Symphony
in G-major" by Dvorak. The
concert will take place in the
Recital Hall.
SMORGASBORD
The last Smorgasbord of the
term will take place Thursday at 1
p.m. in the Recital Hall. It will be a
varied and stimulating program
featuring students of the School
of Music. Susan Grant will sing
folk songs and play the guitar.
Diana Bolobonoff (violin) and
Robert Huffman (piano) will
combine their talents and present
"Sonata in G Major, Op. 78," by
J.S. Bach. Barbara Johnston
(piano) will solo on Prokofiev's
"Sonata No. 3 Op. 28." Sharon
Gross (soprano) and Robert
Huffman (piano) will present
"Songs of Perfect Propriety,"
based on poems by Dorothy
Parker
Garcia of the Grateful Dead
Grateful Dead very much alive
By GREG WASSON
As seven p.m. approached, the
crowd grew more restless,
wondering if it would all start on
time. Seven came, and with it
came the Grateful Dead. It had
been almost a year since people in
Oregon had had a chance to see
the Dead, and the audience was
ready for a good concert.
The first set, which started with
"Mississippi Half Step," lasted
two hours, and was mostly songs
that the Dead have recorded in
the last four or five years. New
songs in the first set were a slow
ballad called "Maybe It Was the
Roses," a fast, almost rock and
roll tune that I didn't catch the
name of, and two songs that will
be on the Dead's next album,
"Money Money," and the "U.S.
Blues."
In the second set, the Dead
played songs that allowed for
more jamming, with the longest
jams coming from "The Water
Suite" and "Truckin'." My
favorite song in the second set
was "Big River," a song the Dead
have been doing for a while, but
have never recorded.
The crowd at the concert was,
on the whole, pretty well
mannered and the concert had
very few hassles. The main
problem was the fact that the
floor was lined with rows and
rows of chairs. The purpose of the
chairs was to provide for orderly
exit, but the chairs only crowded
people together, making the aisles
solid walls of people with no room
to move around. The chairs also
encouraged people to stand up on
them, blocking the view of the
people behind.
The only word that describes the
quality of the music is good —the
-
U of 0 pottery dept, presents
ERAMIC SALE
EMU Terrace
Thursday <$ Friday
May 23rd and 24th, 1974 10am-5pm
Dead were the Dead. Donna Jean
Godchaux's vocals were the only
part of the music that I found
lacking. I've always felt that
Godchaux tries to do things with
her voice that it simply isn't strong
enough to do. Keith Godchaux's
piano was not featured as much
as it has been other times I've
seen the Dead, and the songs
tended to be shorter, with a lack
of extended jams.
All in all, the Grateful Dead gave
everyone in the audience reason
to say, "thank you, for a real good
time." Everyone left the Coliseum
feeling good and understanding
why Bill Graham introduces the
Grateful Dead as, "the best rock
and roll band in the world."
‘Stiff’ poets...
(Continued from Pagel)
etches a scene and then peoples
it, leaving the impression that the
humans are the more ephemeral
element. Of the three poets,
Siegel leans closest to originality
and depth.
The audience was receptive and
appreciative of this poetry that
seemed to lie mostly on the level
of confessions. Considering the
relatively few opportunities
people have to listen to poets, I
am not surprised. I only hope that
more Eugene poets will schedule
readings to at least allow a
comparison of quality. The
audience is more than willing to
listen and appreciate.
ODEODEODEODEODE
A
> A A A
BiGGLES
960 CHARNELTON
EUGENE 345 7521
HUTCH'S
1402 MOHAWK BLVD
SPRINGFIELD 747 8037
SEE 6 PLAYS - EARN 4-12 UNITS
Shakespeare and the Absurd: Philosophy and Drama
With productions of Hamlet and Waiting for Godot. June 17 29 4 units.
The Tragic Vision: History and Drama
With productions of Hamlet and Titus Andromcus. July 1 T3. 4 units.
The Comic Spirit: Music and Drama
With productions of Twelfth Night and Two Gentlemen of Verona. July 15 27 4 units
Ottered jointly by Southern Oregon College and the Institute of
Renaissance Studies of the
OREGON SHAKESPEAREAN FESTIVAL
ASHLAND. OREGON
Inter disciplinary courses, each taught by two instructors assisted by Festival
actors, directors, designers, dancers, musicians and technicians
I want to enroll in . Institute course*s).
(number)
Enclosed is the SI registration fee.
Name .
Address .
Institute of Renaissance Studies. Box 605, Ashland, OR 97520
MIDNIGHT COWBOY
directed by John Schlesinger
starring Dustin Hoffman & John Voight
May 26
6:30
&
9p.m.
emu
ballroom
$1
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