lliiillluiililliilliiiiiHiiiiiiiiniiiiiiiiiimiiHiiiiiiummiiimimiiimimmmuiimiiimmimmmuiumiiumuiuiiiiiim'.iii.a.iuiiiiuuiiitiiiniiiiiiuiimiimumuiuuiuuuuuuuiuuiuu Oregon It Emerald Warren Miller . Dick Mur way. Robert Rowse. Alfred Young. Harold Hall . Sheldon Fisher.. Roger White . Marguerite Wittwer. .Editor .Managing Editor Night Editor and staff .News Editor .Society Editor ..Sports Editor .Consulting Editor .Contributing Editor Published daily during the college year except Sundays, Mondays, and holidays and final examination periods by the Associated Students, University of Oregon. Entered as second-class matter at the postoffice, Eugene, Oregon. State 0^ HfftcUbd. Report on Social Affairs——As regards the Air Corps and Coeds. It seems like not so very long' ago that eleventeen irate soldiers sat down and burned out a volume of letters to the editor of the Emerald berating the uncomprehending creature for sug gesting that whistling at beauty could be anything but compli mentary. And it hasn't been too long since that phrase, “We were afraid something like that would happen” was dartfully tossed in the direction of a soldier who had trespassed on the sacred precincts of old school principle and tradition. Perhaps greater wrath not too long ago arose in Hen Hall where BTO’s from the nation over wept on each other shoulders as they compared notes and concluded that things here couldn't touch good old Si wash. There was a lot of misunderstanding on both sides, mis understanding' that now is cleared up or dismissed because it interferes with the natural course of society. It is good that when we, the Air Corps personnel, leave a week from next Monday we will leave satisfied that a good year is behind us. There will not be the feeling that things would have been better if we had been at another school or if we had behaved differently. And no one can honestly say that leaving the University of Oregon can possibly be for a more pleasant1 future, more important quite possibly but not more pleasant. Today gripes come fewer and farther apart from Hen Hall. The life on the campus Spring term dispelled many of the com plaints of a dead school; and Spring term saw the Air Corps be come more than ever a part of the school. Acceptance has be come the rule on both sides, the antagonism of fall term has died. The “l.ibe” and the “Igloo” are no longer names, they are places connotated with fun and good times, and the more serious study which we have known. We have, in some measure, become a part of the campus. "When an opportunity such as this edition of the Emerald presents itself as a vehicle through which the entire detachment can officially say good-bye to the campus it would be overly easy to spoil with triteness and sentimentality of undue proportions the sincerity of our unhappiness at leaving. All of us didn't think we would like Oregon. Some of us were determined not to like ()regon. Hut time and house dances have covered even the sorest wounds or have cemented a deep appreciation for the school. .We’ve liked it here and we're sorry we have to go.—W'.M. fjelly. tf-osi jbiuneA. By SKIN MAN WHITEY WHITE Hey cats, this is it. In answer to the numerous pleas for a hot jive column, we’re makin’ with the solid print. For those of you to whom this column may sound familiar, something of this na ture was formerly written by a slick chick here on the campus who has temporarily retired to her cave to gather further in formation. Rumor has it that since B. Goodman folded, he’s been offered aiui dig this: Lombardo offered to enlarge his library to 35 tunes in addition to “Sailboat in the Sky." We’ll be lookin' for that jivin’ lic orice stick soon . . . C. Basie is still knockin' them dead back East with his terrific arrangements and the vocals by J. Hushing. Weakest part of the band is still the rhythm sec tion. . . . Sorry to see that Jan Gar ber's revamped crew strictly ain't hep. We’re sure going to miss that brass bass. The author would like to AD LIB a little at this time and tell you to be sure to watch the band of the month definitely slated for the top. Gather 'round, children and catch a lick from Bill Fischer (cur lently supported by Uncle Sami . . . Current about the town is Art Holman and his solid crew of cats who give out with those root ar rangements on Sat. nitos. If you ain't been in, get groovin’ and get hep to some fine moosik. ... It can now be officially announced accord ing to a letter recently received from "Fathuli” liailey that he in tends to fold liis hand for the dura tion. . . . Humor has it that several of the outstanding nitccluhs of Eu gene are sponsoring a battle of bands dance in the near future to be held in the downstairs ballroom of the Holland. On the dickering list now are four fine outfits—Fred dy Martin, Lawrence Welk, Carl Uavuzza, and Sammy Kaye (you too can be beautiful). My operatives state that nothing short of a closed weekend will welcome this strictly solid occasion. Well, since I can already smell the tar and feathers cooking I shall adjourn to my summer retreat and lull myself into a sacriligious coma to the strains of “THE BUGLE CALL RAG" All Star, 1939. Ed. Note: Apologies to 15. G. and also to Count Basie and for those \ of you who may still be confused, | the rhythm section, consisting of the Count on piano, Jo Jones of I drums, and Walter 1’aige on bass, j is about as weak as ten steam drills j connected in series. The Panning Room By DICK “SOUR GRAPES” MURVVAY A rich, warmly sentimental saga of real American life was showing at the Heilig last weekend: “Tender Comrade, ’ starring Ginger Robers and Robert Ryan. “Tender Comrade” is from the heart to the heart. Handker chiefs—some of the drab G.I. articles among them—were in evi dence throughout the show. Tears were so profuse that during the heartbreaking climax the sound of running water filled the theater and the house drainage system was strained to its utmost. Briefly, the story of “Tender Comrade’’ is the story of any young American couple (Ginger Rogers and Robert Ryan), and their joys and sorrows, their loves and quar rels. The couple’s name is Jones. (What would be more natural?) Chris Jones works overtime and when he comes home he likes to sit in the living room and read his mag azine. His wife wonders if she mar ried a man or a mouse. Soon Chris sees that this is his war, goes over seas, and his wife decides she mar ried a man. She goes to work at Douglas. With four other defense workers, she rents a house. The women learn to live together, despite some argu ments concerning hoarding, deal ing with the “black market,’’ and the unfaithfulness of one of them. Chris dies in the war, but after a few tears no one is particularly sad because everyone has his job to do (such as collecting waste fat) and Chris, Jr. will grow up in a better world. Jean Gabin, in “The Imposter,” displays the charm and passion which Americans have learned to I associate with Charles Boyer, Ga bin’s compatriot, Gabin is a bigger man than Boyer and accordingly better able to dominate each wish ful femme in the audience. As the “Imposter,” Gabin lives the “strangest lie a man ever lived,” so says the billboard advertising. After seeing the picture, we decid ed that men haven’t lived very strange lies. The woman element is almost ab sent from the movie. This might have been agreeable for a change, had the studio supplied Gabin with anything of a story. Anyway, Ga bin has a strong face and every once in a while his eyes get that tired cocker spaniel look. He can’t miss. 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Phone 75 now so that you will get them back in plenty t of time. at EUGENE CLEANERS 245 E. Broadway Phone 75 $3 i 'IN CUR TIME" | Ida Lupino Paul Henried and "CAMPUS RHYTHM" Gail Storm Robert Lowery "JAMBOREE" with Ruth Terry George Bryant and Roy Rogers in "The Cowboy and the Senorita" IT’S WONDERFUL "TENDER COMRADE" l ‘ Ginger Rogers