Plans Ready For ’33 Junior Week End Fete Helen Burns General Head Of Mothers’ Day Glen Hieber and May Masterton Are Assistants; H. Binford Is Banquet Chairman With the complete committee named for arrangements on Moth er’s Day, held annually in conjunc tion with Junior week-end, plans for the event are rapidly being formulated. Helen Burns of Portland is gen eral chairman of all the activities of Mother's Day, with Glen Hieber as assistant chairman. Helen Binford is to have charge of the Mother’s Day banquet, the biggest single event of this part of Junior Week-end. The ban quet is to be held in the men’s dormitory, which has accommoda tions for about 650 persons. Mrs. Genevieve Turnipseed will be the faculty member in charge. Advertising and publicity for Mother’s Day are being handled this year by Glen Heiber, who will work with George Godfrey of the faculty in getting out all the printed matter, supervising the erection of welcoming signs and the decorations of all buildings especially for Oregon Mothers. ‘ Registration and welcoming of mothers will be in charge of Louise Barclay, who will super vise registration and housing of all mothers, determine awards for attendance of mothers, mail out tickets and programs and keep banquet accounts. Virgil D. Earl, dean of men, will be the faculty member in charge of this work. The Mother’s Tea, held Friday afternoon, May 12, is under the direction of Mary Lou Patrick. Another addition to the Junior week-end committee was made last week when Don Caswell, pub licity chairman, appointed Henri ette Horak to work with him on the committee. BANDS DEPEND TITLES AT lOTH^ANNUAL MEET (Continued from Page One) its class B title in the afternoon, and Oregon City, directed by W. W. Nusbaum, placed second, and West Linn, led by Fred H. Wade, was awarded third place. The required number played by all class B contestants was “Lust spiel” Overture by Keler-Bela. As a selected number Silverton played “Reminiscences of Weber,” an ar rangement by its bandmaster, Oregon City played “Adoration” by Borowski, and a march from “Aida” by Verdi was the number played by the West Linn band. Hill Academy Victor Hill Military academy won over six other bands for class C honors. Second place was won by the Sea side Girls’ band, directed by Dan Golden, and Irrigon, led by Stan D. Atkins, and one of the small est schools represented, was awarded third place honors. In addition to the required num ber, “Iron Count” overture by King, the militarymen played “First Waltz” by Durand. Accord ing to judges the Hill musicians won the contest on superior tone. The Seaside musicians played “Sunnyland Overture” by Mustol, and the Irrigon band chose to play “Orpheus Overture’’ by Offenbach, which, in the opinion of the judges, was exceptionally handled. Other bands entered in this di vision were Beaverton, Estacada, St. Helens, and Woodrow Wilson Junior high of Eugene. Class C bands competed from 1 to 3 o’clock, and the class B contest was run off immediately after the C contest was completed. Judges were Glen H. Woods of Oakland, Cal., Frank Mancini, Mo desto, Cal., and L. A. McArthur, Willows, Cal. Twenty bands played in the competition for the three classes. The crowds attending the contest considered it one of the most out standing musical events held this year. Praise was given for the work of every band. Ludford’s - for— Paints Brushes Enamels Wall Paper Artist Supplies Picture Framing Floor Wax etc. _• ■ • 879 Willamette lNext to the Rex) Phone 749 -- CINEMA -- | By BOB GUILD “Cavalcade” is the first epic pic I ture I've had the good fortune to | sec that approaches the epic. It has scope, magnitude, perspective | and life. It is as real as the great nation it typifies. Clive Brook, for God and coun try, is admirable. Diana Wynard is magnificent. The whole thing moves as surely as time, from an inevitable beginning to an inevita ble ending. In spite of the fact that it is essentially British, glo rifies the nation on which the “sun never sets,” and makes a sound of trumpet in your ears, it doesn’t smack of propaganda. The action is rather different than most—we view the progress of England from 1900 to 1933, i through the Boer war and the great war, but always through the eyes of those at home. None of the spectacle of banners and trum pets and neighing horses mitigate the grimness of war. Except for an impressionistic handling of the great war we see none of it—and yet we feel it more deeply, per haps, than if we had. And through it all the impres sion, despite weakness, troubles, propaganda, and decay, of the es sential greatness of the country. “The Cavalcade” moves surely forward. Tou can believe what it says or not, but you can’t fail to be impressed and thrilled by a magnificent performance. McDon ald. * # * Colonial’s “Farewell to Arms" is a different matter. Hemingway’s story is of war, too—but he is a , realist. We live through the war I on the Italian front, and we live i through an hour strangely blended | of pain and beauty, too. | I've said before that I believe I “Farewell to Arms" to be excel lent. Helen Hayes makes the character of Catherine live as Hemingway must have meant her. And Gary Cooper is just such a strained, inarticulate and groping hero as that. Metro-Goldwyn Mayer performed a real job in filming the picture as delicately and beautifully as it did. Incongruously mated as these two are, their love story is beau tiful, and the tragedy of its end ing is real. Our tribute must nec essarily be. paid to Miss Hayes as a great actress, but splendid di rection and excellent support by Cooper and Adolph Menjou help to make the picture one it's pos sible to see twice. And they're rare enough. ip * * Helen Hayes will be arriving in Eugene soon in her latest picture, much like “Farewell to Arms." Also a war picture, also laid on the Italian front, “The White Sis ter,” contains Clark Gable as the love interest. And to prove again that they come in bunches, Leslie Howard's newest picture is also of the war— "Fellow Prisoners,” from Philip Gibbs' novel of that name. Sec ond feature of interest—there is not a woman in the cast, although one motivates the entire plot. The action all takes place in a German prison camp. Junior Fairbanks supports. Old Murder Gag Still Works; Phi Psis 6Arrested9 Turmoil presided at the Phi Psi house Saturday when Alex Eagle and Allen Hall were taken into custody by local police officers on an alleged case of use of fire arms with murderous intent. Drew Copp, one of the fratern ity's hashers, was removed to the Pacific Christian hospital with “blood” streaming down his shirt front, after he had supposedly lost his mental balance and turned maniac. The following members of the Medford high school band, who are guests of Phi Kappa Psi during the tenth annual Oregon state band contest, will be surprised to learn that the tumult was all a hoax and that Mr. Copp was men tally sound with only tomato cat sup on his shirt: Jack Wood, Cyril Sander, Gor don Benson, Bob Young, Dwight Short, Alfred Randles, Bill Cum mings, Russ Brown, Lewis Camp bell, Tommy Greene, Bob Sher wood, Roger Westerfied, Wildon Colbaugh, Rukard Baise, and Noel Benson. But reports from another fra ternity indicated that at least one high school bandsman pulled a fast j one, too. He was a tuba player, and he practiced until 1:30 Thurs day night, while the brothers tossed sleeplessly and muttered maledictions. fUllrFAS HlOlf i TL (Modern BRASS IE RE for ike QlloJ^rn fjtrl Tiny “fashion-points” like those used in shaping fine silk stockings give I Maiden form's “Full-Fashion-’ bras siere its lovely uplift contours and at the same time make it flawlessly “skin smooth” through the breast sections. As far as feeling and appearance go,yon might be wearing no-brassiere-at-all! But with all this effect of freedom, “Full-Fashion” is skillfully constructed to give perfect bust control and per manently blocked to keep its smart shapeliness, even through long, hard wear and frequent washings. “Full-Fashion"’ is only one chapter in the fascinating tale of Maiden Form foundation garments. Send for free booklet telling the complete story — Dept. 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