U. S. C. Wins Contest From Varsity Men Modification Will Make Problem Harder, Say Visitors Debate Is Initial Meet Between Schools Debaters from the University of Southern California, William Hen ley and Arthur Syvertson, defeated Oregon representatives, Ronald Rob nett and Joseph McKeown, in the debate held last night in Yillard hall. “Resolved, That the eigh teenth amendment be so modified as to legalize the manufacture and sale of light wines and beers,” was the subject for debate, with California upholding the negative of the ques tion. Last night's debate was the first ever held between the two schools. Joseph McKeown, in the first speech for the affirmative, showed that violations were almost number less and contended that public sen timent favors a change in the law. McKeown Says Modify “Either all the people are crim inally inclined or something ip wrong with the law,” said the speaker. “It is reasonable and log ieal to contend that.it is not so much the fault of the American peo ple as it is of the eighteenth amend ment. In states where people de sire to be dry allow them to be dry; where people desire to be wet allow them to be wet. We advocate mod ification because public sentiment in the country demands it,” he said in conclusion. Henley, in the first negative speech, tried to show that the boot legger is not a phenomenon of pro hibition, but existed before then. The second point in the negative speaker’s argument was that under present conditions prohibition of ficers can make arrests; under the plan of the affirmative they would have to test the liquor before mak ing arrests. The problem of en forcement would be greater under modification, and the problem of providing places for selling the liquor would entail the return of the saloon, he argued. Summary of Points The second affirmative speaker, Robnett, summed up his arguments in three statements, that prohibition has created disrepect for law; has increased drunkenness and death; and has demoralized youth. In the second speech for the neg ative, Syvertson said that the affir mative had not shown how modifica tion would improve conditions. He contended that modification would not satisfy either of the three groups concerned. The drys would not be satisfied, the wets want some thing far stronger than light wines and beers, and the individuals would not be consistent if they fa vored the middle ground. “The American people have decreed that it is a moral issue—compromises on moral issues have never been satis fartory; there is no middle ground on which the American people can stand,” he said. In his rebuttal speech, McKeown of the affirmative asked the nega tive to explain why violation is nationwide if public sentiment is in favor of prohibition. “The affirma tive,” said Syvertson in the nega tive rebuttal speech, “has levied an argument against prohibition but has not explained how we can rem edy evils, has not told us how light wines and beers are to be sold, and has overlooked the good which has resulted from prohibition.” Tolerance Best Robnett, in the second affirmative rebuttal speech, said: “They at tack us because we have not sub mitted a dogmatic law; we showed that we are suffering from a dog matic law now. We must realize that tolerance and respect for law is better than complete prohibition and the evils it has caused,” he said in conclusion. William P. Maddox was chairman, Senator Willard R. Marks, Albany attorney, Professor C. B. Mitchell, head of the department of public speaking at O. A. C., and P. J. Gallager, attorney from Portland, judged the debate. Subscribe for the Emerald. PERADVENTURE A COLUMN OF CAMPUS VERSE. Fragrant dusk or smiling star Silver laugh or tear: Joy-flung essence quivering Peradventure here. M. H. TO A NIGHT HAWK What evil sorcery has thrust you forth Into the world at dusk, and hade you find Your way in utter loneliness? Tou pierce The troubled air of night with strange, weird, blind And gloomy cries, as one in sore distress. Perhaps you find a mournful peace in pain That comforts you and causes you to scream Defiance to the world. Is it in vain— Your haunted flight across the moon and clouds And stars? You are akin to them and clad With mystery as exquisite as theirs! Is there a meaning in your wist ful cry, as sad As hopes unrealized, tears shed at birth and death, And loves unsought, unfound, de void of blame? To me you are a symbol of all things Unfinished—things too deep to name. buth McDowell PORTRAITS Superiority The slowness of the walk spelled dignity, I The pipe meant masculinity. Superiority was in the book of Mencken Which he displayed so casually. One knew he thought in terms of classes Of Intellectuals and masses Described us all within such terms— We’d never understand him. The Organizer There was assurance in her step And a firmness that would brook No opposition. In school Her motto was: “Let’s have a rule.” She always had a remedy And knew just what to quote. All things were settled in her mind. The Drifters They took life less seriously Remembered there was humor in the world: Enjoyed the clear, cold beauty of the night. • And sometimes doubted whether There was a sure and certain remedy For every ill. They thought the classes Sometimes were lost among the masses. The drifters had no urge for defin itions. WILMA LESTER THOSE DAYS. . . . Those days the blanched, wan petals lay outflung, Like scattered beads of unblessed rosaries, Upon the wreathing, slumbrous tongue Of water where the echo of the trees Were shaped in dim, unpatterned lace Which trembled lest the wind should touch that place. . . . But these days only shivering reeds bemoan, All vainly sucking at the water tide— With seeking, flaccid strands flung prone— The loose roots crying pity of earth’s side. And nothing now can soothe the moody stream Which, haunted, holds encoiled a softer dream. FLORENCE JONES A FO’C’SLE BALLAD You never were off land, you say, Before we crossed the bar? Oh well, it’s only three miles down— That isn’t very far. What did you think to find, a home A-fioatin’ on the sea? Or did you dream of picture ships A-sailin’ light and free? She’s made of steel; and salt rusts steel. And spray rots wood and cord, And till she sinks she will be drove. And ev’ry man aboard. And if the mate gets hard and swears With words that make you wince, He’s had to swallow lots of bilge And ain’t been human since. What if ,we are served coffee black, Curry and rice, and stew? It isn’t tea and cakes, or toast, Would satisfy this crew. The cook’s a Chink, you say? Ah well, When we have reached the pier, A hundred Chinks will swarm the deck With beads and silk and beer. You say the thumpin’ of the wheel Jars you through and through? But I can tell that all is well By hearing of the screw. Last trip but one we lost our wheel; Four days and nights we tossed, And each night thought another day Would see the packet lost. And yet you think when winds are up We’re goin’ to loop-the-loop, And wail because your bunk is soused When one wave takes the poop. Oh yes, you’re out to see the world; You’ll only get a glance. With four hours on and eight hours off There isn’t any chance. No, here’s the lay: You’ll see the world No more than whale or shad, But if you want a taste of life A trip across ain’t bad. JOHN SCHEFFER PETAL TEARS Ths daisy petals fall; The thin white petals tipped with red Drop to the table, Until the drooping plant in the jade China bowl Has only half a flower left. The tiny petals Drop like still tears for a forsaken garden homo Where they made sun-spots dn a shadowed path. My home was in that garden, too, Small wistful flower, My silent tears come also. Hold back your petal tears, And stay with me, Remembrance of my garden. The daisy petals fall, Silently, Upon the table. DOROTHY BAKER SHE FOLLOWED THE FLAME She followed the flame through the tired night And when dawn blazed hot and glad; Or when clouds curled, chuckling in sunless spite; And when white young stars that were still with fright Lost the radiance they had. She followed the flame down the clanging street Where the 3hadow-people were; They were twittering to her, “Life is sweet,” But they could not tether her flash ing feet, For the far glow beckoned her. She followed the flame where the high winds passed, Where the sad old boughs were stark, 1 Where moon-mist wandered in fit ful shafts; She caught the flame and she held it fast, And found it was cold—and dark. MARGARET HUMPHREY WE consider it a delightful compliment to have been asked to do the marcelling and hairdressing for the Oregon women, who are to appear in the Fine Arts Fashion Luncheon at the Eugene Flotel, today at noon. Just another recognition of the excellent workman ship afforded by our shop. Hastings Sisters Miner Bldg. Phone 1009 'Theaters MeDONALD: Last day: A two feature program of mirth, melody and novelty, headed by the first and only local appearance of the Uni versity of Oregon Men's Glee Club in which the 25 collegians present 45 minutes of music and mirth in terspersed with comedy skits, danc ing and solos, both afternoon and night, at 3:45 and 8:45 p. m. The feature picture is Mary Pickford in her newest production, “Sparrows,” and is acclaimed by critics far and near as the crowning achievement in America’s most popular screen star’s colorful career. Mary is sup ported by a group of cleverest kid stars on the screen, and with “her gang” provides some of the heart iest laughter seen in months. Frank Alexander’s melodious musical set tings on the super-organ, and an teresting events combine in making one of the most enjoyable programs ever presented locally. International news weekly of in coming (Thursday) Orchesis and Mu Phi Epsilon “Dance Drama;” (Friday and Saturday) the famous mystery melodrama, “The Third Degree,” with Dolores Costello. Sharkey Moore and his versatile “Merry-Macks” in a melodious pot pourri of music and mirth. REX: First day: “The Notorious Lady,” with Lewis Stone and Bar bara Bedford, in a drama of society and the wilds of darkest Africa, in which a wife tries to tight, her hus band’s battles, and finds her happi ness in danger; clever comedy; John Clifton Eminel at the organ. Coming—(Friday) Bebe Daniels in “Stranded in Paris,” a delight fully Frenchy farce comedy sprin kled with effervescent love and flav ored with subtle situations. (Soon) Getta Goudal in “Fighting Love.” IIEILIG: Last day: “Ankles LAST CALL— IF YOU DON’T GET IN TODAY —THAT'S ALL—HURRY! “College Week” U. of 0. i MEN’S GLEE CLUB 45 minutes of comedy, dancing, close harmony At 3:45 and 8:45 today ALSO MARY PICKFORD in “Sparrows” Filled to the brim with hearty laughs International News and Frank’s Music AT REGULAR PRICES OR STUDENT BODY TICKETS, 25c Preferred.’' with Madge Bellamy ! in the featured role. “Ankles I Preferred” deals with the life of an average girl. Miss Bellamy plays the part of a young miss who is blessed with a pair of ankles too ] pretty for her own good. Her ankles get her into all types of complica tions. • • • COLONIAL: Today and Thurs day: Laura LaPlaute in “The Mid night. Sun.” Hero is the most gor geous spectacle ever filmed for a photodrama. “Ballet of Jewels,” specially designed for this produc tion. Glittering, gorgeous. Repro ducing the entire interior of the Imperial Russian Opera House. Don’t miss it. Then there’s an Aesop’s Fable and comedy. Coming Friday, Milton Sills in “The Silent Lover.” TODAY, THURSDAY “The Midnjght Sun” with t Laura LaPlante and Pat O’Malley Added Attraction “UNCLE IZZY” and His Country Store Chas. Chase International Comedy News Giacomo Rimini—brilliant Baritone of Chicago Civic Opera Company writes: "Not until I discov* ered Lucky Strikes could I feel free to enjoy smoking♦ I adopted Lucky Strikes because I find they are not only more pleasurable, but equally impor tant to me, because they are kind to my throat” i You, too, will find that Lucky Strikes are mild and mellow—the finest cigarettes you ever smoked, made of the finest Turkish and domestic tobaccos, properly aged and blended with great skill, and there is an extra process — “It’s toasted”—no harshness, not a bit* of bite. “It’s toasted” Your Throat Protection When in New York you are cordi» ally invited to see how Lucky Strikes are made at our exhibit, comer Broadway and 45th Street,