Oregon emerald. (Eugene, Or.) 1909-1920, May 18, 1916, Page Four, Image 4

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    se Queen Benefit
CONCERT and DANCE
Given By
• '
Eugene Municjpal Band
Friday Evening. May 19
‘*y- '
Eugene Armory
Eugene stands an excellent chance to elect the Queen. Your
attendance will increase her chances—COME.
Spectators, 25c
Dance, 50c
ICE CREAM
SODAS
CANDIES
Phone 1080
LUNCHES
Elliott & Hosmer
QUALITY GROCERS
Our Motto
*Give all we can for what we get instead of get
ting all we can for what we give,”
Corner 9th and Oak. Phone 246
OBAK
Advertises
B8 and GO Ninth A ve. EL
Expansion Sale at the
Eugene Sample Store
Seven Days Only
BEGINS SATURDAY, MAY 20
life tire tnw,-'taa<3«Nrs in Rugew awi W'e wfctt wr
iwjnmrsarr l*jr exptuxdiug. \\V hav* fotatt a v>ia the
etsmer next fa t* uudl to show* <3*w ag^roafatfah to the jfchhhe
Jfor past pttiroaago we wiU UAYS v>*
W prices 10 TER CRXt WCT «a aft Ate*v
cfcmicjSfek. Siting rv'wrv^i ©wiVt, fanna^l the vktvv^Witw
day. May HMfaemfe hegfa* and tor
e Sample Store
Wtnmwett» street,
mmw &
FI DEAL TO LU),
Physically Degenerate People
Will Not Aid National De
fense, Nor 'Want to.
♦ An industry that doesn’t pay its ♦
♦ workers enough to live on is being ♦
♦ subsidized by its workers. ♦
♦ 4-ny condition of American law ♦
♦ that interferes with the welface of ♦
♦ the citizens should be destroyed. ♦
♦ The law of supply and demand ♦
♦ should not determine wages. ♦
♦ The number of women workmen ♦
♦ employed now is equal to the ♦
♦ number previous to 1913. ♦
♦ There are a larger per cent of ♦
♦ workers getting 012 a week now ♦
♦ than the $9 minimum.
♦ Investigation of payrolls shows ♦
♦ that six months after the passage ♦
♦ o fthe minimum wage law the aver- ♦
age weekly envelope was 10 per cent ♦
♦ laTger than six months previous. ♦
♦ ♦♦♦♦♦♦♦♦«►♦♦♦♦♦♦
That men and women workers must
be paid a living wage in order to be of
economic, social and individual value to
the government is the opinion of
Father E. V. O’Hara, chairman of the
Oregon state industrial welfare commis
sion who spoke at assembly Wednesday
morning.
“The underfed, under-clothed, under
paid workman always under-produces,”
said Father O’Hara. “His power of con
suming diminishes in the same propor
tion and the result is economic loss.
“Disease is spread proportionate to
the submerging of people^ and unhealthy
living conditions go hand; in hand with
under-pay. The domestic results include
breaking up of homes, lack of parental
responsibility, lack of acceptance of par
ental authority on the part of the child
ren.
“PooTly clother, badly housed people
will not cultivate personal ambition, so
there is also an individual economic loss.
“A hhysically degenerate people can
never contribute to national defense.
Nor will such a people feel inclined to
contribute, for a state will get the sup
port of only those people whom it takes
an intcsest in.’ ’
“The minimum wage law is one solu
tion to the labor problem,” Father
O’Hara believes. “To give every man
enough to keep himself and his family on
—that is the duty of the state.
“The minimum wage law is only one
feature of the wage legislation. The
program includes also shorter hours, ac
cident insurance, and industrial educa
tion. !
“Oregon was the first s^ate to adopt
shorter hours and minimum wage laws
for women. In 1913 a law was passed
setting the minimum wage at $9 a week.
In the same year the law was also made
to include men. Thirteen' states have
passed wage legislation during the last
five years.
“The federal department of labor has
recently issued a report following its
investigation of the conditions previous
to the passage of wage legislation in
Oregon. The report shows that economi
cally, socially, and in every other way
the state has gained by having such leg
islation.
1918019MSTAFF
IMINTM EDITOR
“This Year's Events Will Bo
Written Immediately to Avoid
Errors," Says Miss Wotton,
Kuuua TVotton, »ewVv elected editor of
the IMS Oregana. has begun her prep
aratiou for next year's book. “It is too
j early," «*W Mina Wootton, “to forum
i late *uy definite plan of action, but I
ji expect have all of th» year's events
j taken care of aoye so «& to prevent pos
sibiUfty of error-., Shsch th£n<sa as Jnsdot
i week-ewi, track, and baseball, can. be
I bj&tfc&vct «<t OWC«N
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belief., tiwwa Wboctoi*,
Aslant o<#ltpjt%—Jiiftftew»a Fppln®,
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.XthMib'S-- Shcvbie,
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dtu.-wrijca WiNk-iss*,,
h'arl; FhjibphPbUMb.
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Mwsiib -Njifttjihk ’ limber-,
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! wait* *'f-.h>t;H, Wd'.Tli andm'liw-^'HtHKHPSpn,
History of Japanese Art Illus
trated With Specimens by
I
Eizo Hondo During Lecture,.
How Japanese color prints are made,
and the history of the art, was explain
ed to University students yesterday in a
lecture given by Erzo Kando, vice-pres
ident of the Japanese Color Print so
ciety, in the Architectural building. Mr.
Kondo is traveling ove. the United
.States representing this society in its
effort to revive the art of color priyt
itaking, which he characterized as the
irgbest and most typical of Jnpanese
arts. He illustrated nis lecture with spec
imens of old and modern prints.
In explaining the making of a Japan
ese color print, Mr. Kondo declared: “It
requires a combination of artist, en
graver and printer, but in a sense all
three must be true artists. First the art
ist draws the outline of the picture on
a sheet of thin, transparent paper. Th}s
is pasted on a block of wood and an out
line engraving made. A proof taken from
this outline engraving is painted by the
artist with one of the colors which is to
appear in the print. This print with itp
one color is pasted on another block and
another engraving is cut. This operation
is repeated until as many blocks ns there
are to be colors or shades in the tinish1
, ed print are engraved. Sometimes ap
many as fifteen or more blocks must htf
engraved for a single print. The print i^
made by being printed in turn on the
various blocks inked each with its one
color. This was the original method and,
was used as early as the middle of the,
seventeenth century. This method ha^
been found to be the best and is used to1
this day, the only change being in. thej
character of the inks.”
In outlining the history of the art of
making color prints, Mr. Kondo said:
“From its genesis in the seventeenth
century until the death of its last great (
exponent in 1856, it was the highest
form of Japanese art. After the latter
date it declined, due to the lack of
great artists who used this medium to
express their genius. The Japanese Col
or print society is now trying to revive
the art, and my mission in the United
States is to that end.”
The prints l>y the old masters repre
sented eight periods, each with its great
artist, the first beginning in 1577 and
the last, ending in 1856. The prints ex
hibited pass though all the stages of
evolution, from the depiction of matters
of every day life to the carefully express
ed snow storm. In the seventeenth cen
tury the prints became what is termed
futuristic, then they resembled Italian
prints. The eighteenth century was the
golden age for coloring, the prints al
most vie with the butterflies in their
softness of color and grace. Later the
pigments became harsh for dies were im
ported from Europe and the prints be
came hideous daubs of clashing colors.
Some of the reproductions are so
carefully made that no one, but an ex
pert, could tell them from the original.
However, there is a difference in paper
and in the pigments used.
RECITAL WILL BE A TREAT
Program of Pianist Includes Several
Diffioult Numbers.
Of particular interest is the graduat
ing recital of Miss Mona Dougherty
which will occur Friday evening. May 19,
in Guild Hall at 8:15 o’clock under the
auspices of the University School of
Music. Miss Dougherty is a pupil of Dr.
J. J. Landsbury and has done notahle
work as accompanist for the Girl’s Glee
Club. She will be assisted by Leah Per
kins, contralto. The program is as fol
lows:
Bach—Chromatic Fantaaie and Fnrgue.
Beethover—Sonata Op. 78. Adagis
Allegro, Atlegro Vivace,
Rossi—Ah! rendimi (from “'Mitrsne"
10891—Leah Perkins.
Sgambati—-Xoetartte B miner.
IV'ussy M:t»urga F minor.
SchumeTt Idszt—Am Meer.
Paraphrase.
Thirteen Trackstm
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discuss 13& fact and. whihe
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tL.
I? VERY so often Dame Fashion swings around to back up the urd*
^ versal preference for white hose. Most people v?ear white or
tinted clothing next their skin by day, and sleep; upon white sheetSat J
night. The badge of cleanliness is white. 1 |
With Palm Beach suits and other light colored outfits? in vogue,
we see white and colored Wayne Knit hose coming into their right- ,
ful place again as first in popular favor.
We recommend Wayne Knit, no matter what color you prefer.
Wayne Knit has been so good for so many years, we never thinkof |
suggesting anjj other make.
Wear Wayne Knit Hoae
IN WHITE AND COLORS
Make
their
oneymoon
Chappy
GIVE THEM THE PRESENT THEY LIKE!
DON'T LET THEIR HONEYMOON BE CLOUDED
i BY REMEMBRANCES OF UNSUITABLE GIFTS.
!
JEWELRY IS ALWAYS LIKED AND IS AL
WAYS SUITABLE. I
i
WHEN YOU BUY OUR SUPERB, JEWELRY,
YOU ARE CERTAIN TO KAYE THE RIGHT QUAL
, ITY AND STYLE* AS WELL AS THE RIGHT PRES
ENT AND THE RIGHT PRICE. i
1 WE MAKE ^FALmr RIGHT; THEN THE
, PRICE RIGHT. j
Seth Laraway
I SSAJJfQN© MERCfSANT AN© JKW.EIJSL
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