THE DAILY CAPITAL JuUKNAI SALEM, 9REGQN, MONDAY, NOVEMBER 2A, 1919.
PAGE SEVEN.
4
FEIST OF SERIES OF
aif RECITALS TO
BE 1VEN TUESDAY
' The first of a series of three Riley
; recitals will be given Tuesday even
ins by the Public Speaking Depart
ment ef Willlamette University, under
the direction of Professor Delia
Crowder-Miller. The second recital
will be presented December 4, and the
last number December 11.
- Forty students of the department
"will assist Professor Miller in the pre
sentation of the liting characters of.
.Riley's poetry on the stage.'
The public will recall that Profes
sor Miller was author and director of
the pageant which was presented at
Willamette University last spring, and
which attracted such wide attention
throughout the west.
Given in Play Form
The numbers, which are entirely the
class work of the students, have been
arranged in play form, to represent
Indiana folk as Riley knew them.
The first "program' next Tuesday
night will represent morning; a fairy
will swing back the gates of memory,
and the audience will be permitted to
look upon these folk as they go about
the farm, each at his separate task.
The second recital, given December
4, will represent the afternoun or this
day, when "Granny comes to our
House," and the "Raggedy Man mows
our lawn," and "Our Hired Girl"
bakes the pies, and the children romp
an play and swing under the old
apple tree. The neighbors will "drap
in" and converse on "One thing and
another" until the shadows shut out
the light of day and twilight cornea.
Riley Folk Pictured
The third program, given December
11, will represent evening among the
Riley folk. Of course the center table
and the family group thereabout, the
blazing fire and the little family or
gan In the corner will be seen. There
will be a little Mille, who will enter
tain sister Belle's beau prior to her
appearance. Uncle Sidney will gather
the children about him for the nightly
story, as It was In the experience of
the poet himself; and there will be
reminiscences from those who have
lone since left the morning of life and
whose glance is now turned back. The
audience will see the faithful mother
revealing her devotion to her home
aad her God. There will also be the
hard-working father, whose sleep is
made sweeter because of the patter
f the rain on the low roof above his
head. The old negro Pete, true to
Uin characteristics of his race, when
left alone fears the spooks and
"hanta," and is much relieved when
Mother and Eliza return from prayer
meeting. Then there is the hour of
devotion, when the mother offers up
the prayer for the family. The win
dows one by one grow dark, and the
day is closing for those inside the
. little house; when a stranger passing
by sees the mother's up-turned face
as she calls -down God's blessing on
the household. Realizing that he has
neither mother nor home, his yearn
ings carry him back to the time when
Tils mother used to sing him to sleep.
A fairy, found so often in the Riley
Child Rhymes, glides here and there
and adds a touch of romanticism and
beauty to the humor and pathos found
in the lives of these simple Riley folk.
The fairy closes the gates of memory;
and so the third number ends.
Setting Unusual.
The settings for these programs will
be most unusual. A stage will be
made up of Hoosier timber and shrub
bery, with the landscape to the dis
tance, revealing the fields of corn,
and the rolling hills of Indiana. Of
course mere win De the sycamore
and birch trees, through which the
candle lights from the little cottage
gutter and gleam. There will be the
vines climbing the littte porch, show
ing the old-fashioned morning-glories
and roses. A lew fence borders the
front lawn.
Professor Miller's unusual dramatic
construction of this cycle, revealing
the Hoosier characters in this Hoosier
setting "On the Banks of the Wabash.
Far Away," will be one of the most
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artistic productions the University has
ever offered.
Knew Riley Personally
Professor Miller knew Riley person
ally, and lived, near him. and among
the folks he writes ef. for six years.
She first met him. In 106. Later he
commended and entrusted to her the
interpretation., of his poems. When
the University of Indiana conferred an
.honorary doctor's degree on Mr.
Rilejs she was present as one of his
friends. Several years later-she gave
recital in Greenfield, Indiana, and
was entertained in the home of John
Riley, an older brother of the poet. It
was from htm, and from the many
frindse and (relatives of the Riley
family that Professor Miller gained
most of her knowledeg of the opet's
life and work.
This "literary play" which Is built
characters as they were lived, and Its
upon the incidents and around the
unique setting Is the original concep
Piie4 for a copyright on this cycle of
ton of Professor Miller, She has ao
recltala, and will put them into book
form. She expects the book to be off
the press by Dec. 20.
Miss Ruth Bedford, one of Profes
sor Miller's students, has composed a
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piano interpretation of "Illileo" which
will be pantomimed by other students
las Miss Bedford interprets It. Profes
sor MUler has composed a musical
theme interpreting two of Riley's
poems of heme life, which will be
aung There will be choruses and vocal
and violin solos, interpreting; other
Riley poems.
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